Okkervil
River (with Lowlights)
Launchpad,
Albuquerque, NM
August 30, 2007
Words by Nate Daly
Photos by Carol Kennedy
The missus and I left our baby boy with a non-relative for the first time ever to walk down the street for the Okkervil River show. Really, since my mother-in-law left town two months ago, it’s our first night out alone together—cause enough for celebration, but throw in Okkervil and the discovery of locals Lowlights, and we’ve got a great night out. We got to the Launchpad and ran into some people from my office and chatted them up for a few minutes before Lowlights took the stage.
Lowlights are a six-piece rock band that
give off a folk/country vibe with a slight psychedelic tinge. I would
compare them to contemporaries Oakley Hall, but with more of a haunting,
low-key Western feel than the Brooklyn band. Singer, guitar, and electric
piano player Dameon Lee’s restrained vocals carry just enough 
weight
to perfectly accompany the band’s often low-key arrangements, but
he can also pull out the girth for the up-tempo numbers. Combined with
violinist Jessica Billey’s lovely voice, the two complement each
other nicely on some wonderful ballads, notably “Snow Is Silver.”
It was really a nice surprise to walk into such a great local band.
Friends have been hyping Okkervil River
for a few albums, especially Black Sheep Boy, but I never really
got into them until I heard The Stage Names. I think it’s
a fantastic, up-beat album and I’ve totally fallen for singer Will
Sheff’s
storytelling. Despite a couple of reports of lackluster shows from the
same friends, this one was certainly not—the band and Sheff were
energetic and spot-on, performing a very entertaining set.
Stand-out songs from The Stage Names
were “Our Life Is Not a Movie or Maybe,” “You Can’t
Hold the Hand of a Rock and Roll Man,” and the trumpet-laden “Plus
Ones.” The drummer, Travis Nelson, was great to watch, flopping
around like a deranged puppet—not quite Animal, but close. Sheff
was also getting his rockstar on, which I did not expect. For a 
man
whose shirt stayed tucked in for almost the whole show he’s totally
got the rock moves. And just like on the album, his voice cracks beautifully
when he forces the high notes.
The live version of “John Allyn Smith Sails” with its stolen Beach Boys lyrics was a massive crowd pleaser, especially for Carol Kennedy, who we met at the show and took the pictures for this review. For the first song of the band’s encore, Sheff played a cover of Neil Young’s “Albuquerque,” something I imagine happens here quite often. Thankfully, he merged it with one of his own songs before anyone in the crowd had time to yell out “Cortez the Killer”—we’ve got a baby to get home to!
9/2007