Jul 06, 2009 By Kyle Lemmon

Detroit musician Josh Epstein is no stranger to explosive melodies. After all, his main creative outlet, The Silent Years, released an indie-pop gem only last year. As with most craftsman-like albums, The Globe's jovial ethos was contagious but largely flitted under the noses of the rock intelligentsia. In turn, Let Go reads like a classic stopgap EP but actually is a full-fledged bound in aesthetics. More