Jun 01, 2008
By Matt Fink
Summer 2008 - The Protest Issue
Like similarly inartful musical identifiers “pop” and “rock,” “soul” is a term that elicits an intuitive response but that, in reality, has been denuded of any real meaning for modern listeners. Was it really created by Ray Charles in the early 1950s when he translated the energy of gospel music into a secular context? If James Brown is the “Godfather of Soul,” are his songs the template? What about Otis Redding and Aretha Franklin, possibly the two most definitive artists in the genre? Do they belong categorized beside Jamie Lidell and Amy Winehouse? What is the essence of soul music? My Morning Jacket asks some of these questions on their fifth studio album, Evil Urges.
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Jun 01, 2008
By Matt Fink
Summer 2008 - The Protest Issue
Given that the prospect of describing music is an inherently abstract process—entrusting words or images to capture the infinite permutations of rhythms, tones, and textures—it only makes sense that some artists who work in the sound medium would perceive these qualities differently than the rest of us. In technical terms, such folks are said to have “narrow band synesthesia,” a phenomenon where certain sounds or instruments consistently evoke a particular visual essence, and ideas for songs might only be intelligible as collages of color. In this case, A Thousand Shark’s Teeth is a shadowy landscape of grays and dark blues, graceful and brooding, an album created by someone who saw it all in her head. More
Jun 01, 2008
By Frank Valish
Summer 2008 - The Protest Issue
For the better part of the last three decades, Michael Stipe has passionately melded his rock and roll with his activism. From R.E.M.’s early days as Athens, GA indie-rockers through their big ’90s hits and the subtler explorations of their later work, Stipe and company have always had their hands in politics, whether teaming with Rock the Vote in the early ’90s, playing the Vote for Change tour in 2004, or supporting causes from hunger relief to women’s rights and Greenpeace. More
Jun 01, 2008
By Chris Tinkham
Summer 2008 - The Protest Issue
In 2002, when indie kids in the U.S. looked to Sweden as a hotbed for new music upon the emergence of bands such as The Hives, 16-year-old Li Lykke Timotej Zachrisson was devising her escape from Stockholm. More
Jun 01, 2008
By Laura Ferreiro
Summer 2008 - The Protest Issue
Given all the obstacles Elbow has faced over the past three years, it’s quite an accomplishment that the veteran Manchester, England, quintet were able to write an album at all, let alone one that is arguably the best of their decade-long career. The sinking of their long-time record label, V2, and ensuing legal battles left Elbow doubting the fate of their fourth album and contemplating getting day jobs in order to survive. More
Jun 01, 2008
By Frank Valish
Summer 2008 - The Protest Issue
"In the kind of world where everything is readily available to everyone, information-wise, I think there’s something nice about a little bit of mystery,” says Conor Oberst, describing the hype or lack thereof surrounding his new, eponymous solo album.
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Jun 01, 2008
By Chris Tinkham
Web Exclusive
Although 21-year-old Spanish actress Manuela Vellés dreamed of starring in films while growing up in Madrid, she could not have anticipated the unique demands and challenges of her screen debut as the title character of Julio Médem’s latest film Chaotic Ana (Caótica Ana). More
Jun 01, 2008
By Matt Fink
Summer 2008 - The Protest Issue
Jason Pierce was in a good mood until I asked him about the Coachella festival. It’s only three days after he played the finale in a succession of “acoustic mainlines” shows, the widely acclaimed concert series where Pierce reinvented the Spiritualized canon with a string section and backing vocalists, and he’s still frustrated over how badly the set went. More
May 01, 2008
By Chris Tinkham
Web Exclusive
27-year-old French writer-director Céline Sciamma treaded familiar cinematic territory in conceptualizing her debut film Water Lilies, an achingly lyrical examination of teenage social structuring, friendship and desire. More
May 01, 2008
By Chris Tinkham
Web Exclusive
There appears to be a perpetual gleam in the eye of Norwegian director Joachim Trier. Although he remains politely soft-spoken and composed when discussing his directorial feature debut Reprise, his enthusiasm is nonetheless contagious as he gushes about the influence of artists as disparate as Alain Resnais and Bad Brains, whose work he both describes as punk. More