Death is present in The Long Riders without truly being real.

It’s hard not to find They Shoot Horses, Don’t They? resembling a Nathanael Westian nightmare.

The Big Knife is a fascinating relic that otherwise may have been forgotten, but this release digs into its history.

The Hero is very much Sam Elliott’s film.

Re-Animator is a movie that manages to be both scary and profoundly silly, placing it squarely among the decade’s best genre flicks.

Who’d have thought comas and the prospect of being cast out of your family forever could be so funny, or so romantic?

Rough Night is proof that the failings of modern studio comedies cannot be overcome by diversity alone.

William Friedkin’s adaptation of Harold Pinter’s The Birthday Party is a weird film.

Sid & Nancy should be approached with an ounce of caution, as its tale often veers from fact into romantic fantasy.