Strike A Pose, a European documentary film shot in 2015, served to tell the rest of the story of Madonna’s Truth or Dare tour dancers, twenty-five years after the tour.

Nearly 20 years before Terry Gilliam got his hands around Fear and Loathing in Las Vegas, there was another movie to attempt to wrangle the writing of Hunter S. Thompson for the screen.

A hilarious and irreverent parody of one of cinema’s most absurd genres.

2001’s Ghost World, directed by Terry Zwigoff and based on the eponymous comic book by Daniel Clowes, holds up remarkably well fifteen years later as a comedy which slyly subverts conventional teenage angst films via the sheer erudition of its script and power of its actors.

Seventies cinema exuded cool, and no one exuded cool better than former Warhol Superstar Joe Dallesandro.

To try to separate politics from Jordan Peele’s new film Get Out – in an interest to focus primarily on entertainment instead of something more flammable and contentious – is both idiotic and attempting to make the film less than it is.

There’s something irresistibly charming about The World Of Henry Orient, George Roy Hill’s 1964 comedy about two teenage girls who bond over their outsider status, dysfunctional family units, and their love of concocting creative, imaginary escapades.

Twenty years has passed since American musician Ry Cooder emerged from Havana with the Buena Vista Social Club album.

In 1959, Frank Sinatra was contracted by ABC to host four special one-hour performances, to be released at various times throughout the network season.