Playing like a historical version of the fifth season of The Wire, Deadline – U.S.A. is incredibly unsubtle, even preachy, in its message regarding the dangers of capitalism and sensationalism on the press.

Scream Factory brings Dan O’Bannon’s horror-comedy classic to Blu-ray in a packed special edition.

Although it will likely seem tame to many modern viewers, The Taking of Pelham 123 is embedded deep in the DNA of the action genre.

Yellow Sky lacks the searing social commentary of The Ox-Bow Incident, but remains a noticeably rougher picture than most popular Westerns of the 1940s.

Eiichi Yamamoto’s nearly-forgotten 1973 masterwork, Belladonna of Sadness, has to be the weirdest, filthiest feature-length animated film ever made.

A blisteringly bitter, morally murky cautionary tale about the folly of revenge and mob justice.

Hail, Caesar! is what some might call a palate cleanser, a recurring feature in the Coens’ filmography.

The Spoils Before Dying is a dead-on parody of vintage, L.A. noir.

Although it’s found an adoring cult audience in the thirty years since its release, you can’t really fault any moviegoers who demanded their money back after seeing The Texas Chainsaw Massacre 2 in its original theatrical run.