Reviews | Under the Radar - Music Magazine
Friday, October 23rd, 2020  


Corn Money

City Salvage

May 06, 2009 Music Web Exclusive

The Defibulators (not defibrillators) are from Brooklyn's mushrooming indie scene, but not the one you'd expect. The six-man, one-woman band mingles Bakersfield swing, honky tonk, rockabilly, bluegrass, Dixieland jazz, and punk into a boozy concoction worth swigging until last call. It makes a lick of sense that The Defibulators are releasing Corn Money on gag-cartoonist and illustrator Andy Friedman's metro-roots label City Salvage. More

May 05, 2009 Music Web Exclusive

Los Angeles folk singer Mia Doi Todd has described her first instrumental music album as "a good way to start the day, though it's not just for the morning. It's music to listen to while cooking dinner or making a list of things to do or taking a long, deep breath, or for writing your first screenplay." Todd's description seems apt when listening to Morning Music. Influenced by customary Indian, West African, and Middle Eastern music, this seven-track, 44-minute suite drones along as pleasant background music. More

May 01, 2009 Music Web Exclusive

Not since Elvis Costello has any artist combined pop ferocity and magnetism with such challenging words. The standard rule is bitter and thoughtful = slow and delicate, but when artists escape that equation-when they recognize that smart people have blood in their veins too-they are justly hailed by their grateful minions in the press, like so: More

Zee Avi

Zee Avi


May 01, 2009 Music Web Exclusive

Big money says Zee Avi's new self-titled CD will be available in Starbucks before you can say Accessibility Meets Post-Colonial Hip. Lucky for us, this won't be one of those Putumayo 'It sounded good in the store' purchases. More

May 01, 2009 Music Web Exclusive

At the great Americana Legends Fried Chicken & George Dickel Potluck Party in our minds, while Jack White desperately slaps on sunscreen and J.D. Wilkes hits on your underage cousin, The Devil Makes Three will stand by the bucket of Lone Star, making snarky comments and quietly enjoying the day. More

Apr 29, 2009 Music Web Exclusive

The exclamation point at the end of Telekinesis' self-titled debut may be a bit over the top, but if any band has earned itself an exclamation point, Telekinesis certainly has. Seattleite Michael Benjamin Lerner (the power behind Telekinesis' power pop) makes music that's straightforward and familiar—if not especially challenging—and with its hooks, perfect chord progressions, harmonies and hand clap-ready rhythms, Telekinesis! is one of the strongest power-pop debuts in years.  More


Coming From Reality

Light in the Attic

Apr 28, 2009 Music Web Exclusive

Sixto Diaz Rodriguez recorded two albums in the early ’70s that went nowhere and when he was subsequently dropped from his label (Sussex), he returned to Detroit and gave up his career in music. Little did he know, but both albums grew in popularity in South Africa and Australia. This fact was discovered by Rodriguez’s oldest daughter when she stumbled on a pair of websites run by a South African fan searching for the missing singer. Rodriguez’s career was revitalized by the discovery although he still never caught in his home country where Cold Fact and its follow-up Coming From Reality remained virtually unheard. More

Apr 28, 2009 Music Web Exclusive

Along with Motown, Stax Records defined an era of soul music in the '60s and '70s. And from the parents who lived with and loved the sound of Stax came children who would sample and appropriate the breaks into loops that would become the foundation of hip-hop. This compilation collects the original Stax hits that spawned so many hip-hop classics. More

Apr 25, 2009 Music Web Exclusive

Ken Stringfellow has already made a name for himself in discerning music circles as half of the songwriting core of Washington power-pop band The Posies. More