Jul 10, 2009
Music
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It was only a matter of time before The Onion's "Area Man"—that semi-anonymous schlub feted in the trade for often the most mundane achievements—would be awarded his own anthem. And he couldn't find a more able chronicler than bandleader Matt Wilson, whose stick-strikes give the icon a confident metropolitan strut. More
Jul 08, 2009
Music
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Fresh off the spring release of its U.S. debut, Colonia, A Camp—Nina Persson (The Cardigans), Nathan Larson (Shudder to Think) and Niclas Frisk (Atomic Swing)—have released a three-song digitally-released EP of covers that provides welcome complement to the band's other recorded work. More
Jul 06, 2009
Music
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Gringo is the seventh—count 'em, seventh—album by Robert Pollard and longtime collaborators Tim and Todd Tobias. Previous Circus Devils albums were crazy, psychedelic, noisy, and, well strange, but Gringo is billed by the band's website as, "Circus Devils goes acoustic!" More
Jul 06, 2009
Music
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Detroit musician Josh Epstein is no stranger to explosive melodies. After all, his main creative outlet, The Silent Years, released an indie-pop gem only last year. As with most craftsman-like albums, The Globe's jovial ethos was contagious but largely flitted under the noses of the rock intelligentsia. In turn, Let Go reads like a classic stopgap EP but actually is a full-fledged bound in aesthetics. More
Jul 03, 2009
Music
The legions exposed to a glimpse of The Vaselines via Nirvana’s ragged crunch pop takes on “Son of a Gun” and “Molly’s Lips” from Incesticide were given a panoramic view when Sub Pop reissued the act’s entire discography with 1992’s The Way of the Vaselines: A Complete History. The collection, which included their sole LP Dum-Dum, along with the Son of a Gun and Dying for It EPs, evinced an unlikely yet brilliant meeting of C86 effeteness with the roughshod, reckless strains of The Velvet Underground circa White Light/White Heat. More
Jul 03, 2009
Music
Peggy Sue have terrible timing. For this trio of twentysomething musicians based out of Brighton England, their third EP Lover Gone will likely be compared to the work of another British upstart poised to make a stateside splash, Florence and the Machine. Peggy Sue simply don’t possess Florence’s chutzpah—still, they are not without undeniable charm. More
Jul 02, 2009
Music
On its sophomore album, this Swedish six-piece demonstrates its knack for presenting pessimistic sentiment in optimistic musical wrapping. Much of the subject matter revolves around love, its loss, and the little details of being in a relationship. More
Jul 02, 2009
Music
“Die Slow,” the first single from HEALTH’s forthcoming sophomore full-length Get Color, takes the best elements of the band’s debut and their DISCO remix album and delivers a very rare delicacy: a highly danceable rock anthem. More
Jul 01, 2009
Music
In 2007, Norwegian singer/songwriter Hanne Hukkelberg released her sophomore album, Rykestraße 68. Developing on the established themes of her lighthearted debut, the album featured an affable marriage between playful Jon Brion-style atmospherics performed on a series of found objects and Hukkelberg’s haunting off-kilter voice—glittering with a simple and pleasing whimsy. More
Jun 29, 2009
Music
Issue #26 Spring 2009 - Bat For Lashes
White Rabbits not only avoid the sophomore slump, they build on the success of their debut, Fort Nightly. With Spoon's Britt Daniel at the helm, White Rabbits tighten the reins on their percussive sound over the course of ten lean and muscular tracks. More