Various Artists
Si Para Usted Volume 2: The Funky Beats of Revolutionary Cuba
Waxing Deep
Oct 23, 2009
Various Artists
Fidel Castro’s communism had incredible, if often polarizing, effects on the music industry of Cuba. The island employed state-subsidized musicians who earned steady paychecks, and these artists had relatively little concern about their commercial success, giving them free reign to experiment and play from the heart. On the other hand, there was very limited access to recording equipment and the raw materials necessary to record and create albums. This, in conjunction with the inept centralized record label, meant that there were amazing musicians tearing up the island, but who might have to wait years to record. And even if those recordings managed to pass censorship, they still might not even get into fans’ hands.
Working with a license from EGREM, Cuba’s state-run record label, Dan Zacks has managed to bring another 16 tracks of endangered music to print. Most of the songs here span multiple genres, often fusing traditional Cuban music with jazz, funk, or rock. And although EGREM worked to suppress American influences in what it published, those sounds inevitably crept in. Orquesta Cubana De Música Moderna pulls out a cover of Ides of March’s “Vehicle” that is smoking, the Latin influence taking the song to a new level. American influence can also be found in the hugely popular band Los Barba. Represented by two tracks here, the band has a light funk vibe akin to Earth, Wind and Fire.
Of course, Cuban elements dominate the compilation. Grupo Monumetal’s son “Tremendo, Tremendo” hops with a driving percussion section and horn blasts, and Los Caribes’ “Andalucia,” another son, is a dance hit with just enough funk. Finally, Los Papines’ “Para Que Niegas” incorporates a jazz bass line, percussive “beatboxing,” a mellow organ, and a lounge-y lead vocal. The opening of the song would have fit in with any evening at the nightclub, but the vocal interplay that takes over halfway through is a mesmerizing tangle of Spanish scat. This track alone makes the entire album worth owning and, along with volume one, this is essential music for anyone interested in Cuba’s musical legacy. (www.waxingdeep.org)
Author rating: 7/10
Average reader rating: 6/10
Most Recent
- Call Jane (Review) —
- Steve Gunn Shares New EP; Features Remixes by Mdou Moctar, Circuit des Yeux, and More (News) — Steve Gunn, Mdou Moctar, Circuit Des Yeux, Bing and Ruth
- Japanese Breakfast Shares Cover of Yoko Ono’s “Nobody Sees Me Like You Do” (News) — Japanese Breakfast, Yoko Ono, Ben Gibbard, Death Cab For Cutie
- Grimes Shares Video for New Song “Shinigami Eyes” (News) — Grimes
- Glastonbury Announces Emerging Talent Competition For 2022 (News) —
Comments
Submit your comment
January 10th 2011
2:18pm
My favorite tracks were the latin funk of Los Barba, who contribute two songs, the psychedelic workout of Mirtha Y Raul’s “El Sueno De Andria,” and the dusty grooves of Los Llamas “Siboney.” “El Sueno De Andria” is even more perplexing given that Cuba didn’t have much of a drug culture. Si, Para Usted: The Funky Beats of Revolutionary Cuba Vol. 2 is essential for anyone who likes Cuban music or funk. Let’s hope they are busy at work on a volume three. “Rolex Prices”
December 7th 2011
2:45am
Hallelujah! I needed thisyou’re my sviaor.
December 7th 2011
2:46am
Ah yes, nicely put, eveoryne.