Issue #60 - Father John Misty
Goths
Merge
May 18, 2017 The Mountain Goats
Given John Darnielle’s love of death metal, we knew Goths’ day would come. What we didn’t expect is the canvas to be so pop-forward. Goths is vivid and light on its toes, as it runs the gamut of various “goth” personalities both historical and fictional, showcasing one of Darnielle’s greatest carnal sins—his ability to glean color from unexpected places. Darnielle spins resonating tales over his nasally tirade—which is as bold and unexpected as ever, like he’s bench-pressing with his bare throat everyone that has ever done anything to harm him.
“Rain in Soho” opens the album with relentless chanting from a barbershop quartet jamming with the baritone section of choir. They bumble and intertwine in a glorious macrame. It’s astoundingly catchy—the monks and barbers are a charmingly ominous stew, and are probably motivating enough to play in the warm-up of a spin class. From this fantastic start, Goths just gets better.
“The Grey King and the Silver Flame Attunement” meshes rumbling low-tones with buoyant cascades as Darnielle insists, “I’m hardcore, but I’m not that hardcore.” “Unicorn Tolerance” discourses over the validity of a goth with a “high unicorn tolerance,” who feels “shame, real shame, for what my friends must think of me,” and trying with everything he has to “beat to death the soft creature that I used to be.”
“Shelved” is a menacing dance mounting slowly into a hard-hitting, momentous face-plant, “Ceremony”-esque synths blazing, drums pounding, Darnielle shouting from his guts as he personifies the fiction of a washed-up metal guitarist who faces that “the ride’s over” with striking conviction.
Goths culminates in the gospel-gowned “Wear Black,” when Darnielle heralds, “Wear black when it’s light outside, wear black when there’s no light,” amongst lofty choral salutations. Darnielle pokes at the various prerequisites for belonging to any group, whether fringe or otherwise. The deepest, most authentic self will never fit squarely into a box. And that’s why we love that John Darnielle loves death metal. (www.mountain-goats.com)
Author rating: 8/10
Average reader rating: 9/10
Current Issue
Issue #72
Apr 19, 2024 Issue #72 - The ‘90s Issue with The Cardigans and Thurston Moore
Most Recent
- Under the Radar Announces The ’90s Issue with The Cardigans and Thurston Moore on the Covers (News) — The Cardigans, Thurston Moore, Sonic Youth, Garbage, The Cranberries, Pavement, Lisa Loeb, Supergrass, Spiritualized, Lush, Miki Berenyi, Miki Berenyi Trio, Emma Anderson, Hatchie, Ride, Slowdive, Velocity Girl, Penelope Spheeris, Terry Gilliam, Gus Van Sant, Ron Underwood, Kula Shaker, Salad, Foals, Semisonic, The Boo Radleys, Stereo MC’s, Pale Saints, Blonde Redhead, Sleater-Kinney, Cocteau Twins, Lucy Dacus, Alex Lahey, Horsegirl, Grandaddy, alt-J, Squid, The Natvral, Wolf Alice, Jess Williamson, Sunflower Bean, Orville Peck, Joel McHale
- 10 Best Songs of the Week: Fontaines D.C., Cassandra Jenkins, Loma, John Grant, and More (News) — Songs of the Week, Fontaines D.C., Cassandra Jenkins, Loma, John Grant, Good Looks, Hana Vu, Belle and Sebastian, Yannis & The Yaw, Strand of Oaks, Home Counties
- Fresh Shares New EP ‘Merch Girl’ (News) — Fresh
- Premiere: LOVECOLOR Shares New Video for “Crazy Love” (News) — LOVECOLOR
- Final Summer (Review) — Cloud Nothings
Comments
Submit your comment
There are no comments for this entry yet.