Wilderness: Vessel States (Jagjaguwar)


The first Wilderness album took a few months of repeated listening before finally cracking open my skull and spilling brain all over my record player. I knew something important was happening in my ears, but I couldn’t quite put my finger on it. It eventually became one of my favorite albums of 2005.


This new album, Vessel States was instantly recognizable and thus I can’t seem to derive quite as much pleasure in the discovery from it. The lone weakness of the first album was that a lot of the songs sound similar and this album suffers from the sameness disease. Add to the fact that it is simply not as urgent and nearly serene at times.

That said, this might be one of the finest bands that I have heard in recent years. The sense of dread that accompanies their music is strangely attractive and hypnotic. They feel like a throwback to the early 1980s, but are thoroughly modern in lyrical content and production. Feelings of alienation and anger rise up from the lyrics that hover above some of the most lovely guitar lines I have ever heard. (A friend went to their recent San Francisco show and scoped his gear to find out how he gets his tone. His findings: “Strat > Micro Amp > Boss RV-5 (!!) > some kinda Plexi Marshall”).

The lyrics may come off as stilted on the surface, but when meshed with the music, you can see that this is a band with a sincere message. James Johnson’s vocals may be off-putting to some, but I have found his delivery to be quite endearing and his repeated lyrics searing. Interpersonal relationships are tackled on “The Blood Is On the Wall”: “human contact, over my head, make sense of your opinion.” The busy drums and tempered bass may seem conflicting, but on repeated listens their mesh thoroughly controls the songs.

This is a band that I have had a hard time convincing friends on, but I have become enamored. The lone thank you on the liner notes to “The Music” only makes me love them more. (www.wildernesssounds.com, www.jagjaguwar.com)


8 Blips out of 10 By Nate Daly