Interviews
Angergård on 2016's Best Albums, Trump and the Election, and Leonard Cohen
Jan 30, 2017
By Mark Redfern
For Under the Radar‘s 14th annual Artist Survey we emailed some of our favorite artists a few questions relating to 2016. We asked them about their favorite albums of the year and their thoughts on various notable 2016 news stories involving either the music industry or world events, as well as some quirkier personal questions. More
Angergård on His Favorite 2015 Albums, Streaming, the Election, ISIS, Star Wars, and More
Jan 11, 2016
By Mark Redfern
For Under the Radar’s 13th annual Artist Survey we emailed some of our favorite artists a few questions relating to 2015. We asked them about their favorite albums of the year and their thoughts on various notable 2015 news stories involving either the music industry or world events, as well as some quirkier personal questions. Here are some answers from Johan Angergård, who is in a multitude of bands (including Club 8, The Legends, and Eternal Death, who all released new albums in 2015). More
Jun 08, 2015
By Laura Studarus
When The Legends’ Johan Angergård turned 40, the wheels came off. More
Dec 15, 2010
By Under the Radar Staff
For Under the Radar’s 8th annual Artist Survey we emailed some of our favorite artists a few questions relating to 2010. Pick up a copy of Under the Radar’s Year End issue for interviews with: The Antlers, Bon Iver, Caribou,Club 8, Delphic, Rose Elinor Dougall, Gayngs, Hot Chip, Lost in the Trees, Love is All, The Love Language, Mogwai, of Montreal, Okkervil River, Yoko Ono, Owen Pallett, Plants and Animals, Mark Ronson, Superchunk, Tame Impala, Vampire Weekend, Sharon Van Etten, and Vivian Girls. Here’s a survey from Johan Angergård of Club 8, The Legends, and Acid House Kings. More
Sep 07, 2009
By Laura Studarus
After a two-year absence, The Legends (aka Johan Angergård) has returned with Over and Over, his fourth full-length under the moniker. Featuring the single “Seconds Away”—affectionately dubbed “the noisiest pop single to ever come out of Sweden”—the album effortlessly interjects aggressive distortion and white noise into traditional electro-indie pop structures. Under the Radar caught up Angergård via email to discuss multitasking, distortion, and making music in emotionally trying times. More