Album Reviews

Caroline Rose
The Art of Forgetting
Mar 24, 2023 Web Exclusive
Back in the early days of 2020, Caroline Rose (who uses they/them pronouns) was one of the many artists who tragically found their album releases overshadowed by the pandemic.

Heartworms
A Comforting Notion EP
Mar 24, 2023 Web Exclusive
Heartworms is the project of London-based musician and military aviation history aficionado JoJo Orme, who teamed up with one of her heroes, producer Dan Carey, for her debut EP, A Comforting Notion.

100 gecs
10,000 gecs
Mar 23, 2023 Web Exclusive
What if a TIE Fighter blew up a gas station McDonald’s? What if Cotton-Eye Joe had an amphibian friend with equally ambiguous comings and goings? What if dental woes necessitated a soul-ska ballad-anthem? These are but a few of the questions 100 gecs answers with their long-awaited major label debut,
News

10 Best Songs of the Week: Geese, Hannah Jadagu, Lael Neale, Mega Bog, and More
Mar 24, 2023
Welcome to the eleventh Songs of the Week of 2023. There weren’t a lot of new songs on offer this week, perhaps because the music industry was recovering from SXSW last week. But there were still some tracks we liked.
Interviews

The End: Duncan Wallis and Robin Richards of Dutch Uncles
Mar 24, 2023 Web Exclusive
To end the week, we ask Duncan Wallis and Robin Richards of Dutch Uncles some questions about endings and death.

Gina Birch on Her New Album, Procrastination, and the Legacy of The Raincoats
Mar 23, 2023 Web Exclusive
It’s taken Gina Birch of beloved British late-’70s/early ’80s post-punk band The Raincoats the best part of 45 years to cross “record a solo album” off her “to-do” list. I Play My Bass Loud, co-produced by Youth and released on Jack White’s Third Man Records, is a sampler platter of what the venerable Ms. Birch has to offer.
Pleased to meet you

Heartworms on Her Debut EP, Her Love of World War II Aircraft, and Working with Dan Carey
Mar 24, 2023 Web Exclusive
Sometimes a song can literally stop you in your tracks. Heartworms’ recent single “Retributions of an Awful Life,” which arrived alongside a dramatic, cinematic black and white video, is one such track. Intense, compelling, moody, and magnificent, Heartworms is the project of UK musician Jojo Orme, who started creating the music she was destined to make when she began to embrace her dark side.
Lists

Under the Radar’s Top 100 Albums of 2022 Part 1
Dec 23, 2022
Are things back to normal in 2022? They are, aren’t they? Well not quite. In the past year we eased out of the pandemic, but COVID-19 is still around and still deadly to some (just look at what’s happening in China, now that their long national lockdown has lifted). The pandemic door has been left ajar, rather than fully closed. We put the chaos for the Trump administration in the rearview only for us to relive it via the very necessary January 6th Commission and the specter of the former president running again in 2024 (if he’s not barred from doing so or even in jail). And while Biden’s administration has been fairly steady and helped lead the Democrats to an unexpectedly strong showing in the midterm elections, over in the UK chaos has reigned with no less than three different prime ministers in one year (Liz Truss being the shortest serving prime ministers in British history), the death of the Queen, strikes across the country, and a recent poll having a majority of Brits admitting that Brexit was a mistake.
Those of us who grew up during the tale end of the Cold War and the beginning of perestroika have not been totally surprised that Russia has become a major adversary to the West again in the last decade, but it was still shocking when Russian President Vladimir Putin followed through with his threats to invade Ukraine. On top of the terrible toll on the Ukrainian people and its extraordinary President Volodymyr Zelenskyy, the war has destabilized financial markets worldwide and helped lead to massive inflation, with all this talk from financial experts of a possible recession next year seemingly willing such a thing into existence.
After the last few years of the pandemic and all the political upheaval worldwide, the massive right and left divisions in this country and in others, it leaves one wondering if the events of every single year felt this monumental to our younger selves and to our ancestors. Certainly there have been other eras of even greater turmoil (World War II, the 1960s), but will things ever feel truly normal again?
Musicians continued to find their footing in 2022, with live shows and festivals pretty much back to normal and free of major COVID restrictions. Still, many musicians were finding it more expensive than ever to tour this year, in large part because of inflation, but also because of the unfair financial cuts some venues were taking of merchandise sales. With it being hard for indie artists to make much money from streaming or record sales in recent years, this year touring also became a less reliable source of income, with bands such as Animal Collective cancelling whole tours because they knew they’d lose money. 2022 also saw a slew of albums written and recorded during the pandemic, with some lyrics betraying their lockdown inspiration. Ben Gibbard, for example, sang about missing strangers on Death Cab For Cutie’s return-to-form, Asphalt Meadows, a lyric likely written at a time when interacting with strangers could prove deadly.
Asphalt Meadows lands at #12 on Under the Radar’s Top 100 Albums of 2022 list. Prior to June 2021, we had never even heard of the band that made it to #1 on our list, so meteoric was their rise. The rest of the list is filled with some familiar faces to be sure, but some other debut albums are peppered throughout our Top 100. To arrive at such a list, 23 of our writers and editors (including myself and my co-publisher/wife Wendy Redfern) submitted ballots of their 45 favorite albums of 2022, listed in order of preference from first to last. They were submitted via a Google Sheets spreadsheet that helped tabulate the eventual list. An album had to be picked by at least three or four writers to make the list (19 of our writers had our #1 album on their list and it was the clear winner of the vote, getting 100 more points than our #2). Then we worked out the Top 94 albums and held a separate vote to determine which albums should round out the bottom six, with our writers deciding between 21 albums that could make the bottom of the list. Some albums that almost made the list include (in no particular order) ones by GIFT, Tomberlin, Crack Cloud, Broken Bells, Skullcrusher, Sam Prekop and John McEntire, Just Mustard, Florence + The Machine, Warpaint, Cheekface, The Weeknd, Maggie Rogers, Craig Finn, The Orielles, and My Idea. Consider those honorable mentions.
As the next year dawns, I’ve already heard some January to March albums that will surely make our Top 100 Albums of 2023 list. It’s already shaping up to be another great year for new music. But it’s been exhausting living through history, so can 2023 please just be a boring year?

Live reviews

Rianne Downey @ The Deaf Institute, Manchester, UK, 23rd March, 2023
Mar 25, 2023
Glaswegian singer/songwriter Rianne Downey is one of the UK’s brightest new talents.
Blog

20% Off Subscriptions This Week as Under the Radar’s New Issue is Shipping Soon
Mar 23, 2023
Under the Radar’s new print issue (Issue 71) is shipping out soon and to encourage readers to subscribe or resubscribe before it’s sent out, we are offering 20% off subscriptions this week.
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Issue #70
Nov 18, 2022 Issue #70 - My Favorite Movie (Sharon Van Etten and Ezra Furman)
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