Under the Radar’s Top 80 Albums of 2011
Dec 21, 2011
It may have been a difficult year for many people for a multitude of reasons (not least of all, the weak economy), but 2011 was certainly a great year for music. Here at Under the Radar we’d argue that it was an even better year for music than 2010 was, which is why this year we’ve come up with a Top 80 best albums of 2011, versus last year’s Top 50.
Each of Under the Radar‘s writers submitted a list of their Top 30 favorite albums of the year. Those lists were all combined and tallied up to form Under the Radar‘s master Top 80 albums of 2011 below.
This list will also appear in Under the Radar‘s forthcoming Best of 2011 Issue and 36 of the artists on this list are interviewed in that issue. Stay tuned for more info on the issue.
1
St. Vincent
Strange Mercy
4AD
With Strange Mercy, Annie Clark forgoes studio extravagances for a dressed-down approach, striking the raw nerve that makes her live performances so explosively unpredictable. Her guitar sound is suddenly as confrontational as her voice is intimate; Clark’s no longer an artist finding her identity, but one that’s reached full bloom.
By Austin Trunick
2
M83
Hurry Up, We’re Dreaming
Mute
Anthony Gonzalez synthesizes his multi-faceted career on this neon-lit double-album. Every nostalgic and wide-eyed reverie is brimming with purpose and sentiment. The efficacy of such an audacious electro-pop release is known. The ripples of this musical Never Never Land will be felt long after 2011 is over.
By Kyle Lemmon
3
Bon Iver
Bon Iver
Jagjaguwar
Justin Vernon took several chances with Bon Iver, but the biggest one was that he managed to make sounds 25 years out of style sound cool. Complementing the isolated Americana landscape of For Emma, Forever Ago with a warm and orchestral bloom is a colossal achievement.
By Kyle Lemmon
4
Fleet Foxes
Helplessness Blues
Sub Pop
Whereas their 2008-released self-titled debut was warm and woodsy, Fleet Foxes’ sophomore effort topped its predecessor by both expanding the musical palate and turning inward lyrically, as on title track “Helplessness Blues” and opener “Montezuma.” Helplessness Blues’ 12 tracks shift and grow, as songs switch form midway through, yet it all feels of-a-piece, a fully-formed, cohesive effort that the band (and its imitators) may never top.
By Aaron Passman
5
The Horrors
Skying
XL
After the Sonics-worship of their debut and post-punk experiments of its follow-up, England’s The Horrors look back to the melodic rush of such ’80s bands as Simple Minds for Skying. Whether they settle into this sound remains to be seen, but for now they seem to have found a stylistic coat that fits just right.
By Hays Davis
6
EMA
Past Life Martyred Saints
Souterrain Transmissions
With her wounded rhymes, scabrous guitar, and aching vulnerability, Erika M. Anderson positioned herself as the 50-Ft Queenie that inspires devotion not through intimidation but with an emotional candidness that feels surprisingly universal. Most importantly, Anderson’s recollections and admissions are never tinged with bitterness. Throughout Past Life Martyred Saints, she sounds utterly liberated.
By Ben Schumer
7
PJ Harvey
Let England Shake
Vagrant
On the rousing “The Words That Maketh Murder,” PJ Harvey acerbically rails, “I’m gonna take my problem to the United Nations.” It’s a sinister clarion call, simultaneously an indictment of wartime apathy and a resigned admittance of impotence. It’s also the key moment on Let England Shake, a brilliant album that shakes listeners out of slovenly ennui and galvanizes enragement.
By John Everhart
8
Yuck
Yuck
Fat Possum
The members of Yuck may individually hail from England, Japan, and New Jersey, but the London-based band sounds like they’ve been holing up in an American garage for years. And while there may be healthy strands of Dinosaur Jr. and Pavement in their DNA, these players thrive by adding plenty of sun to their squall.
By Hays Davis
9
Washed Out
Within and Without
Sub Pop
More like blissed out. Within and Without captures the feeling of complete and pure contentment, and Ernest Greene holds onto this perfect state for more than 40 minutes. Airy synthesizers wash over bloated beats, while his echoed vocals stretch over layers of gooey reverb. It’s a flawless dream come to life.
By Danielle Sills
10
Anna Calvi
Anna Calvi
Domino
British virtuoso Anna Calvi represents a dual threat. Possessing a moody, dramatic guitar style that paints in broad, sweeping strokes and a voice that can drop from high-flying howl to sensual snarl in an instant, this singer/songwriter’s debut stands as one of indie rock’s most cinematic albums in years.
By Austin Trunick
11
The War on Drugs
Slave Ambient
Secretly Canadian
Always sunny in Philadelphia? Not in The War on Drugs’ manic-depressive corner of town. “I was there/Waiting for the sun,” Adam Granduciel laments during the Dylan-esque twang of “Brothers.” He finds it eventually, but not until after lightning jolts of Byrdsian jangle and storm clouds of Krautrock percussion have tantalizingly passed through.
By John Everhart
12
I Break Horses
Hearts
I Kill Love/Cooperative Music
This Swedish duo managed to avoid any of the musical archetypes we usually associate with Sweden. Instead, they fashioned their own strain of nu-gaze by pairing Cocteau Twins’ swooning romanticism with Fuck Buttons’ fizzling throb. Hearts is consumed with both biology and romance and its nine gorgeous tracks buzz with the hum of life.
By Ben Schumer
13
Florence and the Machine
Ceremonials
Universal Republic
With a production that’s nearly as big as Florence Welch’s voice, Ceremonials is a sophomore effort with a gloriously massive sense of scale. The sweeping orchestrations, reverberating percussion, and layered vocals rarely stop to take a breath, building to an exhilarating crescendo that only ends when the record stops spinning.
By Austin Trunick
14
SBTRKT
SBTRKT
Young Turks
The London-based artist’s debut record—displaying an offbeat aural ecology that mixes dark, digital bleeps and pulses with warm, soul-tinted dance music—is every bit as enigmatic as the mask he wears onstage. It’s strangely fitting that electronic music’s most anonymous producer could wind up becoming one of its biggest stars.
By Austin Trunick
15
Death Cab for Cutie
Codes and Keys
Atlantic
Indie rock’s boys next door, Death Cab for Cutie, returned with their seventh full-length. Now a major-label success story, the Pacific Northwest quartet applied a slippery sense of optimism to musings on love, life, and death, creating a multi-faceted album that speaks to both the good times and the bad.
By Laura Studarus
16
Elbow
build a rocket, boys!
Cooperative Music/Downtown/Fiction
On its fifth album, Elbow explores how age shapes our hopes and dreams, successes and failures. Build a rocket, boys! soars when frontman Guy Garvey gives voice to those universal human emotions on “Neat Little Rows,” “Lippy Kids,” and, especially, “The Birds,” an epic that swirls around a pulsar-like keyboard figure before going supernova for the outro.
By Stephen Humphries
17
Youth Lagoon
The Year of Hibernation
Fat Possum
The Year of Hibernation is a fitting title for Youth Lagoon’s debut LP, as it sounds as if it was recorded while ensconced in a warm cocoon, insulated from life’s harsh brutality. These glorious bedroom reveries are equally agoraphobic and wide-eyed, like a Roy Orbison lament of what love feels like, albeit one lost in a headlong rush into daydreams.
By John Everhart
18
Cat’s Eyes
Cat’s Eyes
Kooyp/Cooperative Music
Heartbroken hopeless romantics, or forward thinking, girl-group obsessed goths? Faris Badwan (The Horrors) and opera singer/multi-instrumentalist Rachel Zeffira are both. Aggressive enough to match Badwan’s main project, but ethereal enough to make their live debut at the Vatican (true story!), Cat’s Eyes have proven they can swing with just about any crowd.
By Laura Studarus
19
Toro Y Moi
Underneath the Pine
Carpark
Toro Y Moi’s exotic Underneath the Pine is a top notch example of what a sophisticated and broadminded reordering of pop’s past can sound like, which in this case sounds like Innervisions for former chillwavers. Retromania, sure, but nostalgia is rarely approached with this much charm, charisma, and above all else, class.
By Kenny S. McGuane
20
Beirut
The Rip Tide
Pompeii
For years, Beirut’s fans have been able to live their vagabond impulses vicariously through singer/guiding light Zach Condon as he assimilated various worldwide influences and made them personal. With The Rip Tide, Condon and company succeeded with the inverse: finding their real voice in a group of songs where world-music influences serve as fringe rather than the frame.
By Hays Davis
21
John Maus
We Must Become the Pitiless Censors of Ourselves
Ribbon
They call him the believer. Or at least that’s what he calls himself. The outsider-pop/Ph.D candidate John Maus entered 2011 as a semi-anonymous songwriter with a crush on deviance and a history with Ariel Pink—at the end We Must Become the Pitiless Censors of Ourselves finds itself remarkably remarked upon, arguably exceeding the consolidated attention of his previous two decades of work. The record’s name comes from an Alain Badiou rumination on modern art, and if you’re really savvy you might try and listen like it’s a philosophical response. But the true beauty of Censors is the mere aesthetic bliss. In interviews Maus has postured himself as an enthusiastic, bright-eyed pundit, but he’s never wanted people to write about his music as anything more than pop. Good pop, strange pop, archaic, genre-referencing pop, but still, pop. The album captures the way we’ll all want to remember Maus.
By Luke Winkie
22
tUnE-yArDs
w h o k i l l
4AD
The sophomore album from tUnE-yArDs, w h o k i l l is a joyous celebration of the human voice’s creative possibilities. Merrill Garbus’ lead and looped vocals are everywhere at once, and the art-funk settings give her plenty of space to fly around without breaking anything. Driving is not recommended while under the influence of the gleefully unhinged “Gangsta.”
By Hays Davis
23
Wild Flag
Wild Flag
Merge
Carrie Brownstein (co-lead vocals, guitar) and Janet Weiss (drums) inject songs such as “Future Crimes” and “Racehorse” with the energy and punk spirit that fueled their former band, Sleater-Kinney, while ex-Helium frontwoman Mary Timony (co-lead vocals, guitar) adds a prog-y, psychedelic dimension on “Glass Tambourine.” Allying with those tendencies are the band members\’ collective vocals on the sing-along choruses of “Romance” and “Electric Band,” tracks that celebrate the communal vitality of music. The wild card in Wild Flag is former Minders drummer Rebecca Cole, here playing keyboards that often function as a bass would and lending a subtle thread of cohesion to the disparate approaches of Brownstein and Timony. Arriving six years after the last Sleater-Kinney record and four years after Timony’s last solo LP, Wild Flag comes across as not so much a reboot but rather the sound of four musicians who haven’t lost a step.
By Chris Tinkham
24
Destroyer
Kaputt
Merge
Lurking in the shadows of 10+ years of ’80s revivalism and mimicry is a slow and steady indie uprising of ’70s soft rock impersonation. Destroyer’s Kaputt is not only one of 2011’s most exceptionally bizarre and beautiful albums, but it’s probably the first legit indie nod to Al Stewart. We’re not talking about Yacht Rock here; both Stewart and Destroyer (Dan Bejar) are way too fucking weird and brainy to be branded as such. Still, Kaputt’s slick production, silky smooth saxophones (à la Gaucho-era Steely Dan), and rich sonic textures make for an incredibly warm listening experience, especially when combined with what sounds like a love letter, and maybe even a final farewell, to years and years of partying and hipsterdom.
By Kenny S. McGuane
25
Slow Club
Paradise
Moshi Moshi
Salty or sweet? How ‘bout both? British duo Slow Club seemingly does it all—combining Motown riffs with folk refrains and pop aspirations on their superb sophomore album, Paradise. A sweetheart in spiked heels; vocalist/percussionist Rebecca Taylor delivers sarcastic kiss-offs (i.e. “You’ve got the brains/I’ve got the body”) in a big-voiced, self-assured swagger. She’s matched, note for note, by guitarist/vocalist Charles Watson, whose vocal counterpoints and scrappy strumming assure his musical dance partner never goes unattended.
By Laura Studarus
26
Kurt Vile
Smoke Ring for My Halo
Matador
Philly songwriter and erstwhile The War on Drugs member Kurt Vile finally strikes mellow gold on his fourth full-length album, the superb Smoke Ring for My Halo. Elegiac guitar figures waft like ghosts in the ether on this collection of 11 hushed reveries, eschewing the Sturm und Drang of such past Vile triumphs as “Freak Train” and “Freeway.” In their stead we get the lovely, resplendent, Go-Betweens-esque sparkle of “Jesus Fever,” and Vile’s boldly tender ode to fatherhood “Baby’s Arms,” which soothes and coos with all the vulnerability of a children’s lullaby.
By John Everhart
27
Wild Beasts
Smother
Domino
Smother is 2011’s follow-up to Wild Beasts’ nearly flawless sophomore album, Two Dancers, and it gets better with every listen. Better and more mysterious. It’s a divisive album, too, which no doubt garnered some new fans and alienated some old. This album is the sound of one of England’s best and brightest bands finding—and settling into—their often puzzling and peculiar footing. Smother is both dazzling and devastating in its portrayal of sex and masculinity, two topics of which Wild Beasts have been blowing off the conventional lid since their debut.
By Kenny S. McGuane
28
Cut Copy
Zonoscope
Modular
Cut Copy’s third record Zonoscope had a three-year gestation period. (It was an improvement: 2008’s In Ghost Colours needed four years of grooming.) On the surface it seems strange: such immediate, effortless pop music should come easily, right? But Zonoscope’s success is in the labor—the titanic crash of “Need You Now,” the mysterious, subtle propulsion behind “Pharaohs & Pyramids,” the dynamic cycles in the 15-minute “Sun God.” Yeah, it’s just immediate pop music, but the members of Cut Copy are proven perfectionists. We’re already salivating for more.
By Luke Winkie
29
Real Estate
Days
Domino
“I don’t know who’s behind/The wheel,” sighs Martin Courtney. Generally a statement like that would be a cause for concern, but on Days the uncertainty is reassuring. New Jersey’s Real Estate had already established itself as a premier name in the expanding universe of lazy psych pop, and in 2011 got tighter, cleaner, and more distinguished. “It’s Real,” quoted above, remains the year’s most immediate guitar pop jangle—and then there are the hypnotic overlaps of “Green Aisles” and the endlessly cyclical epic “All the Same.” Real Estate can’t escape the breeziness of summer, but when the inspiration leads to results such as these the rest of the beach poppers look out of style.
By Luke Winkie
30
TV on the Radio
Nine Types of Light
Interscope
After the funky exercises of TV on the Radio’s third album, 2008’s Dear Science, Nine Types of Light is comparatively meditative at times, and the tragic passing of bassist Gerard Smith adds elegiac weight to much of the album. The striking beauty of “Keep Your Heart” and “Killer Crane” finds gorgeous new facets in an ever-evolving framework.
By Hays Davis
31
Hooray for Earth
True Loves
Dovecote
32
Atlas Sound
Parallax
4AD
33
Gang Gang Dance
Eye Contact
4AD
34
James Blake
James Blake
Atlas/A&M
35
Telekinesis
12 Desperate Straight Lines
Merge
36
Metronomy
The English Riviera
Because/Big Beat/Atlantic
37
Summer Camp
Welcome to Condale
Apricot/Moshi Moshi
38
Friendly Fires
Pala
XL
39
Fucked Up
David Comes to Life
Matador
40
Dum Dum Girls
Only in Dreams
Sub Pop
41
Wilco
The Whole Love
dBpm
42
Smith Westerns
Dye It Blonde
Fat Possum
43
The Pains of Being Pure at Heart
Belong
Slumberland/Collective Sounds
44
S.C.U.M
Again Into Eyes
Mute
45
Radiohead
The King of Limbs
TBD
46
The Stepkids
The Stepkids
Stones Throw
47
WU LYF
Go Tell the Fire to the Mountain
LYF
48
British Sea Power
Valhalla Dancehall
Rough Trade
49
R.E.M.
Collapse Into Now
Warner Bros.
50
Neon Indian
Era Extraña
Static Tongues
51
Girls
Father, Son, Holy Ghost
True Panther Sounds
52
Iron & Wine
Kiss Each Other Clean
Warner Bros.
53
Tom Waits
Bad as Me
ANTI-
54
Iceage
New Brigade
What’s Your Rupture?
55
Okkervil River
I Am Very Far
Jagjaguwar
56
Gruff Rhys
Hotel Shampoo
Wichita
57
Laura Marling
A Creature I Don’t Know
Ribbon
58
Memory Tapes
Player Piano
Carpark
59
The Weeknd
House of Balloons
Self-Released
60
Panda Bear
Tomboy
Paw Tracks
61
The Rosebuds
Loud Planes Fly Low
Merge
62
The Decemberists
The King Is Dead
Capitol
63
Battles
Gloss Drop
Warp
64
The Dodos
No Color
Frenchkiss
65
Big Black Delta
BBDLP1
Coming Home
66
Low
C’mon
Sub Pop
67
Julianna Barwick
The Magic Place
Asthmatic Kitty
68
Eleanor Friedberger
Last Summer
Merge
69
Lanterns on the Lake
Gracious Tide, Take Me Home
Sleepyhead/Cooperative Music
70
Lykke Li
Wounded Rhymes
LL
71
Still Corners
Creatures of an Hour
Sub Pop
72
The Antlers
Burst Apart
Frenchkiss
73
Future Islands
On the Water
Thrill Jockey
74
The Dears
Degeneration Street
Dangerbird
75
Bonnie “Prince” Billy
Wolfroy Goes to Town
Drag City
76
Bill Callahan
Apocalypse
Drag City
77
Stephen Malkmus and the Jicks
Mirror Traffic
Matador
78
Acid House Kings
Music Sounds Better with You
Labrador
79
Cloud Control
Bliss Release
Turnout
80
Apparat
The Devil’s Walk
Mute
Comments
Submit your comment
December 16th 2011
10:33pm
what about me??
December 17th 2011
3:22am
Very glad to see ‘Skying’ made the top 5! Great album
December 17th 2011
4:06am
HELLO!!!
Where’s Pete & The Pirates AND King Creosote/Jon Hopkins…..?!!
You’re not finished with your homework!!!
December 17th 2011
6:53am
Annie Clark and Anna Calvi both rock, glad to see them in the top 10 but how did White Denim’s D not even make your top 80!?!
December 18th 2011
2:42pm
Interesting list. Another victory for St. Vincent! Happy to see Anna Calvi, John Maus, Low, PJ, Julianna Barwick, Wild Beasts, Panda Bear, James Blake, Gang Gang Dance, Atlas Sound, Lykke Li, EMA, Cat’s Eyes, Toro Y Moi and The Weeknd. It’s truly been a great year 4 music! Take care
December 18th 2011
6:31pm
I think this is the most excellent idea I have seen put into action in a long long time! My band mates ad I are always wondering were the amazing musicians that we know are out there are! From Opposite The Satellite in RVA, Thank You :)
December 18th 2011
10:18pm
Really? Repeater’s We Walk From Safety didn’t even get mentioned!? I CALL BULLSHIT
December 19th 2011
1:17pm
Great list. I also really loved The Hill and Wood this year - hope to see them on here next year.
December 19th 2011
7:49pm
Great list, slept on these guys though http://www.blackgirlsband.com
December 19th 2011
8:23pm
Anti-Hip Hop much?
December 21st 2011
6:14pm
@Hayd: Do you read UTR? It’s not a “hip hop” magazine, but that doesn’t make it, as you say, “anti-hip hop”.
December 22nd 2011
4:08am
Planningtorock’s “W” deserves mention!
December 22nd 2011
6:57pm
Check out mys list:
http://hydrawithears.wordpress.com/tag/2011-summary/
December 24th 2011
8:01pm
You forgot to add Built Like Alaska’s ‘In Troubled Times…’ :)
December 27th 2011
9:33am
The Devils Walk should be #1 not last!
December 27th 2011
10:50am
My (humble) best of 2011:
http://ludditestereo.net/2011/12/13/best-music-of-2011-20-16/
December 30th 2011
1:31am
totally agree with the top 5.. Even I thought that Helplessness Blues would make it to #1 since one of the top media mentioned it in the highlight as The Most Beautiful album of 2011.
somehow I figured-out by looking at the list that best albums came with great cover artworks! :D
January 1st 2012
11:40am
Thanks for the sharing, they are so special, I like them all.
January 11th 2012
6:29pm
Allt som glimmar är inte guld!
January 24th 2012
4:03pm
This was a great list! I think you may be missing a few (ahem!) but thanks for the blog.
February 7th 2012
12:12pm
Some interesting choices there. Here’s our selection of the best music of 2011 (it’s a mix, so you can listen to it, as well as reading a list): http://www.mixcloud.com/theost/best-of-2011/
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My favourite is Panda Bear (Tomboy)
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May 19th 2012
12:32pm
Finally I got the site with full of nice list of song. I quite love this allocation. Really I was looking forward to read about it. Thanks for this allocation. :)
June 21st 2012
7:54am
great list! thanks for sharing. Keep it up dude! Music really rocks..
July 18th 2012
6:14pm
Just looked some of these up and they sound really good.
July 25th 2012
9:05pm
I have a bit plates from this collection . this is very good pieces :)
July 25th 2012
10:01pm
The very interesting list of albums
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August 12th 2012
5:51pm
Jagjaguwar definitely deserves a better ranking.
September 16th 2012
11:19am
Various older rock bands made a comeback. Bands originating from the early to mid-1960s such as The Beach Boys and The Kinks had hits with Kokomo, Come Dancing and Do It Again. Bands with popularity in the mid-1970s such as the Steve Miller Band and Steely Dan also had hits with Abracadabra and Hey Nineteen. -Missed Fortune
September 17th 2012
10:29pm
Great list indeed!! I appreciate the organizer of this great list pretty much. Such a tremendous job he/she done with this post. Thanks
October 5th 2012
3:26am
This is one complete listing of great rock bands. You rock with all the efforts of compiling these. Awesome!
- Donald Leon Farrow
October 10th 2012
9:26am
interesting list of movies , I need to see them all .
October 12th 2012
5:29pm
Very good list I’m happy to see the first place
St. Vincent
Strange Mercy
October 20th 2012
11:04am
This are very ow some album
November 23rd 2012
2:12am
All albums included on this list have their available claimed figure(s) supported by at least 20% in certified copies. The percentage amount of certified sales needed increases the newer the album is, so albums released before 1975 are only expected to have their claimed figures supported by at least 20% in certified copies. -954-691-1102
November 27th 2012
6:35am
Nice post,there are many person searching about that now they will find enough resources by your post.Thank you for sharing to us.Please one more post about that..
December 5th 2012
9:34pm
Thanks for the very interesting list of albums.
December 9th 2012
12:44pm
Great list of albums. My favorite has to be Fleet Foxes (Helplessness Blues). Contains some really good cuts.
December 13th 2012
6:16pm
I like a few of these.
February 1st 2013
4:22pm
I like your blog.Your blog has a lot of useful information.That’s very good for me. Thank you.You develop a better blog offline
February 1st 2013
4:27pm
It may have been a difficult year for many people for a multitude of reasons (not least of all, the weak economy), but 2011 was certainly a great year for music. Here at Under the Radar we’d argue that it was an even better year for music than 2010 was, which is why this year we’ve come up with a Top 80 best albums of 2011, versus last year’s Top 50.
February 14th 2013
1:37pm
My favorite is definitely Yuck although there are some other great selections here.
February 15th 2013
11:57am
Great list although I woould think that Ana Calvi would have been higher up in it.
February 24th 2013
6:31am
thank you OP, a great list thats obvioulsy been well researched, cheers.
March 6th 2013
6:22am
the inverse: influences serve as fringe rather than the frame. By Hays Davis finding their real voice in a group of songs where world-music
March 20th 2013
10:09pm
This is a very nice list created by organizer.My favorite singer is Washed Out Within and Without.
April 9th 2013
3:22am
I was hoping to find the KONGOS here, and suggest that if you have not discovered them yet you do a little research into their sound. I saw a video of theirs recently and fell in love! I am an addict now. they have a sort or southern USA hillbilly sounding rock thing going. really good.
April 19th 2013
8:29am
Awesome post. I began my blogging career in early 2012 and I am still learning a lot. You were very direct and helpful in this posting. I hope it inspires a lot of people to NOT give up and continue moving forward!
April 24th 2013
7:28am
It’s a very good list, I must admit. Glad to see John Maus in it.
April 25th 2013
9:33am
I’m delighted to see Anna Calvi There! Doesn’t get nearly enough credit as it should.
May 4th 2013
2:02am
Hey, I’m reallt Glad to see Annie Clark and Anna Calvi on the top 10!!
May 4th 2013
2:03am
Hey, I’m reallt Glad to see Annie Clark and Anna Calvi on the top 10!!
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May 5th 2013
6:11am
nc! Apocalypse is on the list. I hope to see hear more from them. http://www.nyusongs.com
May 27th 2013
6:33am
My band mates ad I are always wondering were the amazing musicians that we know are out there are! Annie Clark and Anna Calvi both rock, glad to see them in the top 10 but how did White Denim’s D not even make your top 80!?!
May 27th 2013
6:35am
My band mates ad I are always wondering were the Thank you very for an interesting list! Didn’t expect Destroyer in the first 30th.
June 11th 2013
6:57am
A very good list indeed!
July 10th 2013
11:58am
Nice!!
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July 27th 2013
8:11pm
I like the Horror skying so much.
July 27th 2013
8:13pm
I like the Horror skying so much.Is here is the full albums.and if not how can i get the full albums.
October 22nd 2013
11:48pm
Nice Article
October 23rd 2013
12:29am
Awesome list…!!! I’ve been looking out for it, it’s groovy. You have put a cool collection, it brushed my memories. You have shown great musicals I could put down to write my essay on musical classics of all time. I really enjoy Vincent and happy to see it on the top of the list. Looking out for the coming up issue.
January 8th 2014
1:22pm
Just about every single one of these albums has shown up on my spotify account. And each one are in my liked playlist. I particularly loved apparat. I sounds like it would be good in a movie of some sort. It also suprised me that M83 came out in 2011. I did not notice I have been listening to them for that long.
January 21st 2014
9:20pm
Your blog information is extremely fascinating. Superb to discover the extraordinary portions here. Much appreciated.
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March 13th 2014
1:19pm
I really enjoyed this list. I am looking forward to seeing what is new for 2014.
March 16th 2014
2:38am
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March 19th 2014
3:04am
surprised that Lykke Li - Wounded Rhymes is in top! My favorite thing!
November 5th 2014
2:18pm
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November 18th 2014
1:55pm
i love 80s music, more then any other music. they just have a certaine charm to them.
May 4th 2015
12:35pm
Well it’s really under the radar cause I don’t know even one band in this top 80 hmm!
May 10th 2015
6:55am
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Fixations.
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August 22nd 2016
1:32pm
My favourite is “Fleet Foxes Helplessness Blues”
July 5th 2017
11:34am
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