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Oct 07, 2020 By Christopher Roberts Fleet Foxes

Last month Fleet Foxes surprise released via ANTI- a new album, Shore, only a day after it was officially announced. Although the album was accompanied by a short film, the band have now shared a separate video for Shore track “Can I Believe You.” Sean Pecknold, brother of frontman Robin Pecknold, directed the video, which features dancers Jade-Lorna Sullivan and Jean Charles as two people trying to connect. Steven Reker choreographed the video, which features art direction and production design by Adi Goodrich. The band have also announced a series of outdoor screenings for the Shore short film (tickets go on sale at 10 a.m. local time here). Check out the “Can I Believe You” video and screening dates below.

Robin Pecknold had this to say about the song in a press release: “This song draws from the age-old folk tradition of headbangers about trust issues. The verse is the chorus, the chorus is a bridge, the bridge is a different song, it’s all backwards but that was what made it so fun to make. Please enjoy!”

Sean Pecknold had this to say: “With this film, I created an interpretation of what trust (or the uncertainty of it) feels like as two characters journey towards one another through a pulsating world. This film also reflects the frustration and lack of human connection brought to all of us during the pandemic of 2020. Our dedicated film crew worked hard to bring this to life and we hope you find metaphors in it you can relate to as you listen to the music and watch the film. As always, Adi Goodrich and I loved bringing Robin’s songs to life with mesmerising visuals. This is the third part of a three-video FF trilogy starring Jade-Lorna Sullivan and Jean Charles.”

The album’s release at 6:31 a.m. PT/9:31 a.m. ET—which is 13:31 universal coordinated time—was timed to the autumnal equinox. Kersti Jan Werdal directed the film, which is 55 minutes long, was shot in Super 16mm.

Frontman Robin Pecknold had this to say about the album in a previous press release: “I see ‘shore’ as a place of safety on the edge of something uncertain, staring at Whitman’s waves reciting ‘death.’ Tempted by the adventure of the unknown at the same time you are relishing the comfort of the stable ground beneath you. This was the mindset I found, the fuel I found, for making this album…. Since the unexpected success of the first Fleet Foxes album over a decade ago, I have spent more time than I’m happy to admit in a state of constant worry and anxiety. Worried about what I should make, how it will be received, worried about the moves of other artists, my place amongst them, worried about my singing voice and mental health on long tours. I’ve never let myself enjoy this process as much as I could, or as much as I should. I’ve been so lucky in so many ways in my life, so lucky to be born with the seeds of the talents I have cultivated and lucky to have had so many unreal experiences. Maybe with luck can come guilt sometimes. I know I’ve welcomed hardship wherever I could find it, real or imagined, as a way of subconsciously tempering all this unreal luck I’ve had. By February 2020, I was again consumed with worry and anxiety over this album and how I would finish it. But since March, with a pandemic spiraling out of control, living in a failed state, watching and participating in a rash of protests and marches against systemic injustice, most of my anxiety around the album disappeared. It just came to seem so small in comparison to what we were all experiencing together. In its place came a gratitude, a joy at having the time and resources to devote to making sound, and a different perspective on how important or not this music was in the grand scheme of things. Music is both the most inessential and the most essential thing. We don’t need music to live, but I couldn’t imagine life without it. It became a great gift to no longer carry any worry or anxiety around the album, in light of everything that is going on. A tour may not happen for a year, music careers may not be what they once were. So it may be, but music remains essential. This reframing was another stroke of unexpected luck I have been the undeserving recipient of. I was able to take the wheel completely and see the album through much better than I had imagined it, with help from so many incredible collaborators, safe and lucky in a new frame of mind.”

Shore is the follow-up to 2017’s Crack-Up (which was their first album in six years). Pecknold says he began writing the album in September 2018, soon after touring for Crack-Up finished. “I’m very proud of that record, and of the tour we were able to mount around it, but living for that long inside Crack-Up’s dense compositions, and touring that relentlessly, left me in a quandary: I didn’t want to take another long break from music; I really wanted to work and feel useful, but I needed to find a new, brighter way of making songs if I was going to go straight into something large and ambitious again,” he says. “I found myself listening more to Arthur Russell, Curtis Mayfield, Nina Simone, Michael Nau, Van Morrison, Sam Cooke, The Roches, João Gilberto, Piero Piccioni, Tim Bernardes, Tim Maia, Jai Paul, and Emahoy Tsegué-Maryam Guèbrou - music that is simultaneously complex and elemental, ‘sophisticated’ and humane, propulsive rhythmically but feathery melodically. I’d make playlists of hundreds of warm songs to immerse myself in, and I’d write as much as I could every day, keeping only the best pieces that emerged from wherever it is that melodies and song ideas come from. After all these years, I still don’t really know, and that’s what keeps it so interesting.”

Pecknold embarked on a one month-long writing trip to rural Portugal. Then the album was recorded in various studios with various collaborators (working with recording/mixing engineer Beatriz Artola): Aaron Dessner’s Long Pond studio in upstate New York, at France’s Studios St. Germain, and then recording at Woody Jackson’s Electro-Vox studio in Los Angeles (working with Grizzly Bear’s Christopher Bear). Pecknold took a pandemic break between February and July and then returned to the album at The Diamond Mine in Long Island City, finishing everything up at Electric Lady Studios in New York City. The album also features Hamilton Leithauser (and his family), Kevin Morby, Daniel Rossen of Grizzly Bear, a sample of Brian Wilson (vocals from the Pet Sounds sessions), and others.

Pecknold says he has plans for yet another Fleet Foxes album for release next year, one that will be recorded with his full touring band, rather than being pieced together in the studio: “For 2021, we hope to have nine more songs ready, to augment the fifteen here. Those songs will be co-written from the ground up with Morgan Henderson, Skyler Skjelset, Casey Wescott, and Christian Wargo, in an attempt to make good use of this liminal time without extensive touring to be done. I’m incredibly excited to see where those songs end up and I hope that by the time they are done we will be able to bring all of this music to crowds around the world in some form or another.”

Director Kersti Jan Werdal had this to say about the accompanying film: “I listened to the album while driving, and observationally shot landscapes that I felt resonated with the music, yet also stood on their own. The film is intended to co-exist and engage with the album, rather than be in a direct and symbiotic relationship with it. The urban and narrative scenes interact with the more surreal landscapes, rather than sit in opposition of one another. My hope is that the film, much like the album does, reflects optimism and strength.”

Shore was first teased via posters in Paris advertising the album and teaser videos on the band’s Instagram page. In August frontman Robin Pecknold played a handful of songs for Vote Ready, A Concert For Voter Registration, organized by Live From Out There, Fort William Artist Management, and the voter engagement advocacy group HeadCount. His three song set included two covers and a new track: “Featherweight.”

Read our interview with Robin Pecknold on Crack-Up.

We were one of the first nationally distributed print magazines to interview Fleet Foxes, in 2008, and you can read that article here.

Shore Outdoor Film Screenings:

10/18 – Rose City Rollers Drive-In – Portland, OR
10/18 – Ace Hotel – Los Angeles, CA
10/18 – Elsewhere – Brooklyn, NY
10/19 – Blue Starlite (Mueller) – Austin, TX
10/24 – Vasa Park Resort Drive-In – Seattle Area, WA
11/1 – The Drive-In At Lincoln Yards – Chicago, IL

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