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Sep 16, 2020 By Christopher Roberts Weyes Blood

Actor/comedian/musician Tim Heidecker (of Tim & Eric and Heidecker & Wood) is releasing a new album, Fear of Death, on September 25 via Spacebomb. Now he has shared another song from it, “Property,” that features backing vocals by Natalie Mering (aka Weyes Blood). The song is about the likelihood of cemeteries being turned into neighborhoods with houses. (Hasn’t he seen Poltergeist? That kind of thing doesn’t tend to go well with the souls burried there.) “Oh the dead won’t care/They’ll just be lying there,” sing Heidecker and Mering. Listen below.

Previously Heidecker shared the album’s title track, “Fear of Death,” via a video for the song, which was one of our Songs of the Week and also featured Weyes Blood. Then he shared the album’s second single, “Nothing,” which was a song is about the finality of death for those who don’t believe in an afterlife and also made a our Songs of the Week list.

As well as Weyes Blood’s Natalie Mering, Heidecker’s backing band on the album features Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs’ Brian and Michael D’Addario, Jonathan Rado (Foxygen), and string arrangements by Spacebomb’s Trey Pollard (Foxygen, Bedouine).

“I didn’t know that this record was going to be so focused on death when I was writing it,” Heidecker said in a previous press release. “It took a minute for me to stand back and look at what I was talking about to realize that, yes, I am now a middle-aged man and my subconscious is screaming at me: ‘You are getting old, dude! You are not going to live forever! Put down that cheeseburger!’”

Heindecker previously released the fake break-up album What The Brokenhearted Do… back in June of last year. It was created after alt-right trolls spread a rumor that Heidecker’s wife had left him. But, according to a press release, Heindecker is leaving satire in the wind and shooting straight for the scarily morbid: the inevitability of death.

“This record is a dream come true for me,” said Heidecker. “I got to work with some of the best, and nicest, musicians in town who helped me take some shabby, simple tunes and turn them into something I’m really proud of.”

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