Interviews
Sep 02, 2008
By Marcus Kagler
Fall 2008 - Jenny Lewis
“Not everyone sees the genius in bluegrass,” says Mumford and Sons vocalist/guitarist Marcus Mumford. “Our banjo player, Winston, is the driving force behind the bluegrass leanings in Mumford and Sons. He taught himself how to play banjo while in high school. He’s really the bluegrass guy, but we all love it.” More
Sep 01, 2008
By Mike Hilleary
Frances
Between the two of them, Frances’ Paul Hogan and Brian Betancourt are in the midst of counting just how many instruments were involved in the making of the Brooklyn-based band’s full-length debut, All the While. They are talking themselves through the numbers like two students working out some difficult mathematics problem, and just as the bandmates are about to settle on a final estimate, Hogan remembers to bring up their song, “Decoy.” More
Jun 02, 2008
By Chris Tinkham
Lykke Li
In 2002, when indie kids in the U.S. looked to Sweden as a hotbed for new music upon the emergence of bands such as The Hives, 16-year-old Li Lykke Timotej Zachrisson was devising her escape from Stockholm. More
Apr 02, 2008
By Frank Valish
Spring 2008 - Flight of the Conchords
The three members of Montréal’s Plants and Animals might be Music Studies graduates, but theirs is not the sound of intellectual snobs. Graduating from Montréal’s Concordia University in the early part of the century with degrees in electro-acoustic music, Warren Spicer, Matthew Woodley, and Nicolas Basque have, with their sophomore album, Parc Avenue, hit upon a sound that is at once smooth, complex, and organic, with touches of ’70s rock and soul and an expansive musical palette that includes everything from flutes to violin and choirs of voice. More
Apr 02, 2008
By Matt Fink
Jim Noir
Despite his fairly flamboyant appearance and press statements—such as wearing dapper bowler hats and claiming to have recorded his newest album at Abbey Road—Jim Noir is almost painfully shy in conversation. Sipping tea and ending every few sentences with an obligatory “I don’t know…yeah,” he’s soft-spoken and articulate, the kind of man who you would figure prefers to write and record his albums in the privacy of his bedroom. “I’m not a very big talker,” he admits. More
Apr 02, 2008
By John Motley
Fuck Buttons
“When the band first started, we were both really excited by the concept of ‘noise’ music as a confrontational tool,” recalls Benjamin John Power, who, along with Andrew Hung, formed Bristol, England’s Fuck Buttons in 2004. “Over time, the sound has developed into something more embracing. It wasn’t a conscious decision on our part to head in this direction. It kind of happened along the way and just seemed right. We still have the same sonic sensibilities as when we first started, but we now tend to try and focus on the more positive side of things when experimenting with sound.” More
Apr 02, 2008
By Matt Fink
El Guincho
Part musician, part ethnomusicologist, Pablo Díaz-Reixa isn’t your average sample-obsessed laptop artist. Growing up in the Canary Islands, an African archipelago in the Atlantic Ocean where the language is Spanish and the music is joyful, he noticed an apparent contradiction. Why were songs that were often recounting tales of devastation and oppression so happy? More
Apr 02, 2008
By Chris Drabick
Spring 2008 - Flight of the Conchords
Meric Long and Logan Kroeber are The Dodos. If you didn’t know this heading into a listen of their excellent second record, Visiter, you might be shocked. Vocalist/guitarist Long and drummer Kroeber kick a pretty large sound for just two guys, with Long’s deadpan, folksy vocals juxtaposed with a highly rhythmic base. More