Interviews
May 05, 2022
By Dom Gourlay
Issue #69 - 20th Anniversary Issue
Formed around five years ago by vocalist Joe Evans and guitarist Tom Sharkett after playing in various bands together beforehand, Manchester-via-Leeds collective W.H. Lung are the sound of the future dressed as now. More
Apr 21, 2022
By Mark Moody
Web Exclusive
Lily Konigsberg has been kicking around as part of the NYC punk/no wave outfit Palberta for the better part of 10 years. She also recently released her first, and much more pop oriented, solo album (Lily We Need to Talk Now) late last year. Nate Amos is the musical mind behind the quickly rising synth pop duo Water From Your Eyes. He also records solo as This Is Lorelai, and in a prior life performed with his father’s bluegrass band. So how (and why) did these two find time to create yet another outlet for their musical musings with their new band, My Idea? More
Apr 08, 2022
By Andy Von Pip
Issue #69 - 20th Anniversary Issue
Wet Leg, seemingly out of nowhere, gatecrashed 2021 when their hypnotic debut single, “Chaise Longue” (which at the time of writing has over 13 million streams on Spotify, with its video logging over three-and-a-half million YouTube views), became a cult underground smash. The follow-up, the equally enigmatic “Wet Dream,” consolidated Wet Leg’s position as one of the most exciting new bands to emerge from the UK in recent years. More
Apr 05, 2022
By Hayden Merrick
Web Exclusive
Everything might actually turn out okay. It’s a reckless thought nowadays, but more than anything else, The Linda Lindas give me hope for the future. Through its youthful, ebullient punk rock songs, the Los Angeles quartet of teens and tweens harness the enthusiasm of a heretofore voiceless generation that’s unable to vote and has spent the last two years locked inside away from friends. By singing about the things closest to home—cats, sure, but also personal experiences of racism and sexism, mental health, and growing up in lockdown—The Linda Lindas make striking comments about society. Their songs have the power to engender revolution, if not make us punch our fists in the air and feel alive again. More
Mar 15, 2022
By Dom Gourlay
Web Exclusive
London-based trio Girls In Synthesis discuss their origins, lockdown, and forthcoming second album “The Rest Is Distraction” More
Jan 30, 2022
By Dom Gourlay
Web Exclusive
Meet L-E, the new project of London based musicians Bryan Serwatka and Nick Mabey. More
Jan 21, 2022
By Dom Gourlay
Issue #69 - 20th Anniversary Issue
Amusing characters populate some of the songs of Leeds, England post-punk four-piece Yard Act, including those on their debut album, The Overload. Midway through the album’s title track, frontman and wordsmith James Smith sings from the perspective of Graham, who dispenses unwelcome advice about how they’d be “better off kicking that dickhead singer you’ve got in out the band” and should stick to covers and avoid political lyrics, especially if they want to perform at a pub called The Grand run by a landlord named Fat Andy. More
Dec 24, 2021
By Jennifer Irving
Issue #68 - Japanese Breakfast and HAIM (The Protest Issue)
First and foremost, Arlo Parks is a poet. Born Anaïs Oluwatoyin Estelle Marinho, Parks grew up in London both as a storyteller and an amalgamation of her family’s varying music taste. Raised on ’80s French pop, Prince, and her uncle’s record collection that ranged from Sade to Bob Dylan to Earth, Wind & Fire, Parks had a solid musical foundation when she picked up a guitar at 13. By the time Parks was a teenager her storytelling had evolved to poetry and now with a guitar in hand it transitioned to songwriting. More
Dec 22, 2021
By Dom Gourlay
Web Exclusive
With 2021 coming to an end, Under the Radar asked its writers to look into their collective crystal balls and look ahead to the next twelve months. So, without further ado, here are the 22 acts Under the Radar and its contributors are most excited about as we approach 2022. More
Dec 09, 2021
By Jasper Williams
Issue #68 - Japanese Breakfast and HAIM (The Protest Issue)
When applied to a Japanese fighting game character, a punch is never just a punch. It becomes “Megaton Justice Fist” or something along those lines. Just looking at Ela Minus’ grid of synths, sequencers, and drum machines inspires comparable purple prose. Minus’ craft isn’t just a cerebral sequence of turning knobs and playing keys: each action is augmented by singular intent or feeling. More