Interviews | Under the Radar | Music Blog for the Indie Music Magazine
Saturday, May 25th, 2024  


Bread Pilot on “New to You”

May 26, 2022 Web Exclusive

Bread Pilot’s new album New to You is indie rock at its most intimate and energized. From the nostalgic settings of the tracks to the emotional outpour in each song, to the interpersonal relationships of the group, it is a record of vulnerability and closeness.

W.H. Lung on “Vanities”

May 05, 2022 Issue #69 - 20th Anniversary Issue

Formed around five years ago by vocalist Joe Evans and guitarist Tom Sharkett after playing in various bands together beforehand, Manchester-via-Leeds collective W.H. Lung are the sound of the future dressed as now.

My Idea – Lily Konigsberg and Nate Amos on Their Formation and Debut Album “CRY MFER”

Apr 21, 2022 Web Exclusive

Lily Konigsberg has been kicking around as part of the NYC punk/no wave outfit Palberta for the better part of 10 years. She also recently released her first, and much more pop oriented, solo album (Lily We Need to Talk Now) late last year. Nate Amos is the musical mind behind the quickly rising synth pop duo Water From Your Eyes. He also records solo as This Is Lorelai, and in a prior life performed with his father’s bluegrass band. So how (and why) did these two find time to create yet another outlet for their musical musings with their new band, My Idea?

Wet Leg on Their Self-Titled Debut Album

Apr 08, 2022 Issue #69 - 20th Anniversary Issue

Wet Leg, seemingly out of nowhere, gatecrashed 2021 when their hypnotic debut single, “Chaise Longue” (which at the time of writing has over 13 million streams on Spotify, with its video logging over three-and-a-half million YouTube views), became a cult underground smash. The follow-up, the equally enigmatic “Wet Dream,” consolidated Wet Leg’s position as one of the most exciting new bands to emerge from the UK in recent years.

The Linda Lindas on Their Debut Album “Growing Up”

Apr 05, 2022 Web Exclusive

Everything might actually turn out okay. It’s a reckless thought nowadays, but more than anything else, The Linda Lindas give me hope for the future. Through its youthful, ebullient punk rock songs, the Los Angeles quartet of teens and tweens harness the enthusiasm of a heretofore voiceless generation that’s unable to vote and has spent the last two years locked inside away from friends. By singing about the things closest to home—cats, sure, but also personal experiences of racism and sexism, mental health, and growing up in lockdown—The Linda Lindas make striking comments about society. Their songs have the power to engender revolution, if not make us punch our fists in the air and feel alive again.

Girls In Synthesis On Their Forthcoming Second Album

Mar 15, 2022 Web Exclusive

London-based trio Girls In Synthesis discuss their origins, lockdown, and forthcoming second album “The Rest Is Distraction”

Meet L-E and Listen to “An Exposition”

Jan 30, 2022 Web Exclusive

Meet L-E, the new project of London based musicians Bryan Serwatka and Nick Mabey.

Yard Act on Their Debut Album “The Overload”

Jan 21, 2022 Issue #69 - 20th Anniversary Issue

Amusing characters populate some of the songs of Leeds, England post-punk four-piece Yard Act, including those on their debut album, The Overload. Midway through the album’s title track, frontman and wordsmith James Smith sings from the perspective of Graham, who dispenses unwelcome advice about how they’d be “better off kicking that dickhead singer you’ve got in out the band” and should stick to covers and avoid political lyrics, especially if they want to perform at a pub called The Grand run by a landlord named Fat Andy.

Arlo Parks on “Collapsed in Sunbeams”

Dec 24, 2021 Issue #68 - Japanese Breakfast and HAIM (The Protest Issue)

First and foremost, Arlo Parks is a poet. Born Anaïs Oluwatoyin Estelle Marinho, Parks grew up in London both as a storyteller and an amalgamation of her family’s varying music taste. Raised on ’80s French pop, Prince, and her uncle’s record collection that ranged from Sade to Bob Dylan to Earth, Wind & Fire, Parks had a solid musical foundation when she picked up a guitar at 13. By the time Parks was a teenager her storytelling had evolved to poetry and now with a guitar in hand it transitioned to songwriting.