Jonah Feingold’s Dating & New York is a well-intentioned but uninteresting romantic comedy that attempts to mix traditional genre norms with millennial humor.

Ambient synthpop duo The Death of Pop release much vaunted second long player, Seconds.

Each film in The Human Condition is unforgettable, but the film is just as powerful, if not more powerful, when examined as a single product.

Initially compiled as an intended promo-only CD to complement The Flaming Lips’ breakthrough ninth album, The Soft Bulletin Companion has persevered across the span of two decades while remaining of interest to fans of the band, finally earning itself a limited double vinyl release for Record Store Day.

Priding themselves on authenticity, global awareness, and insightful lyricism, Ukraine’s Vinok blends indie art-pop structures and gritty grunge instrumentation.

Lauren Hadaway’s directorial debut, The Novice, is a nuanced look at the dangers of competition.

All These Sons is the newest documentary from Bing Liu, the director of the Academy Award-nominated documentary Minding The Gap, and Joshua Altman.

Blood In the Water is the excellent debut from New York’s LAPÊCHE. The riff for opener “Finally Trying” kicks in and there’s that smile on my face that only proper rock and roll can bring.

A career-spanning retrospective for “one of America’s most tenacious outsider auteurs.”