It may not be one of Hong Sang-soo’s finest efforts, but even a missed layup from the director is a more-than-enjoyable experience at the cinema.

The Outrun is a beautiful blend of image and prose that’s anchored by Saoirse Ronan’s remarkable performance.

Dea Kulumbegashvili’s sophomore feature, April, is a slowly unfurling, harrowing tale about a woman’s struggle in a society that undervalues and threatens her at all times.

While much of the film’s emotional power is attributable to Steven Knight’s intricate and delicate script, Maria’s cinematography and performances are what make the film unforgettable.

Albert Serra’s Afternoons of Solitude is a visually striking, painfully frustrating, and profoundly difficult documentary to forget.

Happyend possesses an über-specific type of free-spirited, frenetic storytelling approach that perfectly captures the coming-of-age experience.

Despite hitting almost every cliché in the books, and despite constantly feeling like it’s leaning into well-explored narrative territory, it’s difficult not to recommend How to Make Millions Before Grandma Dies.

Eephus is a surprisingly meditative film on the ways we resist (but eventually must adapt to) the finality of the things we love.

A Real Pain’s success is not only attributable to its screenplay but to its performances as well.