Dead for a Dollar‘s weak dialogue wastes its immense star potential.

Andrew Dominik’s Marilyn Monroe “biopic” Blonde is far too ambitious for its own good.

True Things is a compelling psychological drama anchored by a strong performance from Tom Burke.

See How They Run fails to deliver a cohesive story despite a solid cast.

The Good Boss is a striking success thanks to its sharp script and Javier Bardem’s brilliant performance.

Anonymous Club, a new documentary on Australian singer/songwriter Courtney Barnett, was filmed in vivid 16mm and based on Barnett’s diaries from 2018 (when her second album Tell Me How You Really Feel came out) up until last year. Named after one of her early songs, the Danny Cohen-directed film is the opposite of the traditional “Behind the Music” style rock star documentary with its ups and downs, celebrating success and comebacks after difficulties, etc

Resurrection, is a fascinating, if not fully realized, portrait of motherhood, revenge, and the act of reconciling with mistakes made in the past.

Clara Sola is a tender, personal drama from Nathalie Álvarez Mesén driven by a simmering tension.

Mrs. Harris Goes to Paris–based on Paul Gallico’s 1958 novel–is the quintessential Sunday matinee film.