As opening lines go, “Sometimes I wake up/And I wonder/What is my job?” is pretty sweet.

Back in the early days of 2020, Caroline Rose (who uses they/them pronouns) was one of the many artists who tragically found their album releases overshadowed by the pandemic.

Heartworms is the project of London-based musician and military aviation history aficionado JoJo Orme, who teamed up with one of her heroes, producer Dan Carey, for her debut EP, A Comforting Notion.

What if a TIE Fighter blew up a gas station McDonald’s? What if Cotton-Eye Joe had an amphibian friend with equally ambiguous comings and goings? What if dental woes necessitated a soul-ska ballad-anthem? These are but a few of the questions 100 gecs answers with their long-awaited major label debut,

With over 40 years and 25 albums to their name since forming in Sydney back in 1980, The Church have rightly earned their place as one of the most influential bands to emerge from the original wave of post-punk.

As with past expansive boxed reissues of Bob Dylan masterpieces, Fragments presents, along with a remix of the album proper, a plethora of additional tracks—over four extra discs—that illuminate the process of Time Out of Mind’s creation from start to finish.

For their first album since 2012’s Following Sea, dEUS have reached back beyond their 1994 debut album Worst Case Scenario for inspiration, it seems.

Girl Scout, who appeared on the Under the Radar’s 23 for 2023 list, excel on their sublime debut EP, Real Life Human Garbage.

It’s not easy these days to distinguish yourselves from a crowded field of talented dream pop artists, but Swedish outfit Death and Vanilla have been ardently doing just that since the release of their self-titled debut in 2012.