Screaming Females: Rose Mountain (Don Giovanni) Review | Under the Radar Magazine Under the Radar | Music Blog for the Indie Music Magazine
Monday, March 20th, 2023  

Screaming Females

Rose Mountain

Don Giovanni

Mar 27, 2015 Web Exclusive Bookmark and Share

Screaming Females inevitably get compared to Sleater-Kinney. Both are power trios, both play loud, simple indie rock, and both are led by women who absolutely wail. But Screaming Females are probably more indebted to Dinosaur Jr., due in no small part to frontwoman Marissa Paternoster’s terrific guitar solos. She can shred with the best of them, and the group’s last full-length, Ugly, featured some seriously gnarly licks. It was also produced by underground rock’s best purveyor of rough edges, Steve Albini.

The new album, Rose Mountain, has another producer behind the boards, Matt Bayles of Minus the Bear, and he helps the Females reach a new accessibility while keeping their talent for head-bashing basement-punk intact. Many of these 10 songs are slower or softer than the trio’s previous output, and they balance Rose Mountain‘s overall effect very nicely. “Wishing Well” is an instant classic, sounding like the best ‘90s indie-rock this side of Superchunk. “Hopeless” is almost a power ballad, but it ends before it gets too overblown.

Of course, Screaming Females still know how to kick total ass, and there’s no shortage of fuzzy ragers and killer riffs. “Ripe” and “Burning Car” both threaten to go off the rails, and “Triumph” is one of the best rock songs of the year so far, with an undeniable groove and a killer guitar lead. It’s the perfect climax to an album that threatens Sleater-Kinney’s claim to 2015’s indie-punk throne. (

Author rating: 7/10

Rate this album
Average reader rating: 9/10


Submit your comment

Name Required

Email Required, will not be published


Remember my personal information
Notify me of follow-up comments?

Please enter the word you see in the image below:

There are no comments for this entry yet.