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Dec 10, 2013 Issue #48 - November/December 2013 - HAIM By Tom Fenwick

On their self-titled debut, World’s End Press walk a precarious tightrope between indie-pop and nostalgic electronica. Their sound has drawn strong comparisons to Cut Copy, the key difference being that—whilst they also take cues from the same shimmering pool of balearic beats as their fellow countrymen—they incorporate a stark rhythmic drive, reminiscent of experimental German electronica. Echoing bands like Neu! and Kluster, their music vibrates with jittery guitar funk, deep bass grooves and gleaming synths—all accompanied by the romantic lyricism of lead singer John Parkinson and his reedy, wistful vocals. When this works best, on songs such as “To Send Our Love,” “My Salvation,” “Drag Me Home,” and the downtempo “Vanguard 1,” their music resonates with a confidence that belies their youth. Of course, it helps that DFA’s Tim Goldsworthy is onboard as producer, his deft touch adding a well-polished sheen to proceedings.

Unfortunately—while it’s well crafted—at over an hour in length they mistake elongated running time and slick production for depth. This is an oversight which leaves a flabby and repetitive second half to the album. It’s a shame, because a keener editorial eye could have tightened this up and made it into a truly memorable debut—the first half of the album shows huge promise—but by exchanging immediacy for self-indulgence, what remains is an interesting, albeit flawed, warning shot. (www.worldsendpress.com)

Author rating: 6/10