Interviews
Jan 26, 2012
By Ryan Reed
Web Exclusive
Body Language’s squiggly, headphone-worthy electro-soul feels very... 2011-ish. Social Studies, the band’s excellent EP (with its sugary synth pads and smooth percussion), may harken back to the glistening, disco-lite pop of the early ’80s, but the songs seem linked genetically to this decade, if for no other reason than the music press’s fascination with genre trends. More
Jan 24, 2012
By Austin Trunick
The New York-based Caveman have had a whirlwind two years since they first started playing music together. Veterans of separate projects that folded around the same time, these long-time friends looked to each other to find a new outlet for their musical compulsions. More
Jan 16, 2012
By Laura Studarus
Web Exclusive
Former Mellowdrone frontman Jonathan Bates has stepped out on his own as Big Black Delta. While his debut full-length—the appropriately named Bbdlp1—defies categorization (Ambient? Danceable? Loud?)—it’s difficult to deny its potent blend of heavy beats, scream-along choruses, and eerie electronics. More
Sep 08, 2011
By John Norris
Web Exclusive
More often than not when people talk about a "summer record," they're talking about those with a certain bounce and thematic preoccupation with, in no particular order: beach, sun, fun, boys, girls. More
Aug 31, 2011
By Laura Studarus
Web Exclusive
Take a moment to consider your best friend. He’s awesome, right? Now imagine locking yourself in a room with him and beginning an artistic process that will take years to complete. The picture may start to look less than ideal. Pals and musicians Johan Angergård (Club 8, The Legends, Acid House Kings) and Henrik Mårtensson managed to do just that—and maintain a sense of humor about the process. Leaning on a bulletproof friendship, the two musicians slowly chiseled out their haunting electro take on love and loss over the course of two years (or three—depending on who’s telling the story), displaying a patience usually reserved for sculptors. More
Aug 18, 2011
By Austin Trunick
Web Exclusive
SBTRKT's songs are nearly as cryptic as the persona he's adopted, often mixing dark, digital beats over soulful-yet-haunting R&B grooves. The mysterious London-based producer keeps his face covered by colorful masks, and his real name separate from his growing body of work. More
Aug 08, 2011
By Austin Trunick
As what now could be considered an electro-pop power couple, Patricia Hall and Ian Hicks have been making music together as Soft Metals since 2009. He was looking for someone to add vocals to his catchy synth tracks, while she was writing songs in need of music. A prosperous relationship quickly bloomed, both creatively and romantically. Drawn together by a mutual love for early ’80s synth-pop and retro film scores, Hicks uses vintage gear to create rich soundscapes that are at times both addictively danceable and darkly cinematic, acting as the perfect backing for Hall’s airy vocals. Their self-titled debut LP, Soft Metals, is now available from Captured Tracks. More
Jul 15, 2011
By Chris Tinkham
Web Exclusive
Puro Instinct's Piper Kaplan likes to have a laugh, oftentimes at her own exploits. On Twitter and Facebook posts, the vocalist for the L.A. dream pop outfit gives the impression of someone who leads a colorful life. Together, with her professed affection for '80s Soviet New Wave, the adoption of faux Cyrillic typography on a couple of the band's releases, and a debut LP entitled Headbangers in Ecstasy, Kaplan's persona suggests ironic outré chic. In conversation, however, the 23-year-old is candid, down to earth and at times self-deprecating. She speaks seriously about music and gushes about her 16-year-old sister and bandmate, Skylar, a guitarist with legit skills. More
May 18, 2011
By Laura Studarus
#36 - Music vs. Comedy
Dedicated cinephiles Greg Hughes, Leon Dufficy, and Tessa Murray—of London-based quintet Still Corners—are stumped. “I like to think I’d be played by Michael Douglas,” says Hughes, mulling over the question of who should portray him in a film. “A younger Michael Douglas,” he clarifies. More
May 17, 2011
By Laura Studarus
#36 - Music vs. Comedy
It's best to verbally engage
The Stepkids with a drink in your hand and plenty of time to chat. The Connecticut-based trio of Tim Walsh (percussion), Jeff Gitelman (guitar), and Dan Edinberg (bass/keyboard), (plus touring member Fred Dileone and projectionist Jesse Mann, who creates psychedelic light installations, projected directly on the band as they play), love music and can speak at great lengths about it, be it their ultimate guilty pleasure Steely Dan or collective favorite George Clinton, who they lovingly call George as they talk over each other to expound upon his genius.
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