Fucked Up’s new record marks a departure from the hefty concept albums for which they’re most revered and adored. While 2011’s David Comes to Life and 2018’s Dose Your Dreams reveled in their magnitude, length, and epic scope, One Day is a brief, brilliant fireworks display of an album, written and largely recorded in the space of a single day.

If the narrative was just as tight as the film’s style, Infinity Pool could have achieved much more in its two-hour running time.

Samia has already impressed as one of the pandemic’s rising freshman indie pop class, debuting in 2020 with the sunny and melancholic tones of The Baby. Her debut and her follow-up EP, Scout, both cultivated a style that thrived on confession, sweeping melodies, and the gentle glimmer of Samia’s voice, a warm and winning combination that proved easy to love.

The beauty of Corbijn’s film is that anyone–even those who know The Dark Side of the Moon’s cover and nothing more–can find things to enjoy and love in Hipgnosis’ story.

Dublin post-punk quintet The Murder Capital are back with an exhilarating second record.

Magazine Dreams is a mostly paper-thin look at the dangers of toxic masculinity.

Filled with staples of Grateful Dead shows, the 2-CD 50th Anniversary Deluxe Edition of Bob Weir’s first solo album brings back into the light a string of songs that deserved their place in hundreds of setlists to come.

Forever pushing the boundaries of pop, punk, and experimental music, John Cale has been a constant presence at the frayed edges of rock ‘n’ roll for the past six decades.

The Delgados played their first show in 18 years at the weekend and Under the Radar was there to see it.