Eternal Ring, the debut record from Los Angeles band MILLY has been a long time coming, with the band originating as a solo vehicle for frontman Brendan Dyer. Since linking up with his bass player and collaborator Yarden Erez, the band has entered a phase they have coined as “MILLY 2.0,” inaugurated with the release of their 2021 EP, Wish Goes On.

This week’s episode features the final two tragedies: the blinding of Aemond Targaryen by his half-nephew Lucerys Velaryon, and the death of Laenor Velaryon.

It’s always a little concerning when a critically lauded band pretty much disappear from view. But beloved Canadian indie-poppers Alvvays hadn’t expected their third album, Blue Rev, to take five years.

Check out our photos of The National’s 2022 tour stop in Port Chester, NY.

In the 11 long years since their superlative calling card The Monitor, Patrick Stickles’ band Titus Andronicus have delivered a disparate clutch of albums, from the incredibly ambitious rock opera, 2015’s The Most Lamentable Tragedy to the raging, Bob Mould produced, An Obelisk from 2019.

On this impressive debut, Phoebe Green, who hails from Manchester, England, proves herself to be a songwriter of both style and substance.

Jonathan Demme’s quirky mob comedy hits Blu-ray via Fun City Editions.

Last year’s Showtunes found Kurt Wagner in mail away mode working remotely with a handful of artists. The follow-up Lambchop album finds Wagner with beat maker Twit One, Poliça’s Ryan Olson, and Fog’s Andrew Broder back on board, but the epically titled album also comes with an innumerable cast of collaborators.

A year after George Riley’s debut album/mixtape, interest rates, a tape, established her experimental and free-formed brand of R&B, the West London-native has returned with Running In Waves, an ode to independence and self-trust that is contemplative and expressive.