Cam Cobb explores the history of Moby Grape from finish to start in What’s Big and Purple and Lives in the Ocean?.

Ty Segall is a restless, erudite insomniac. Since January of 2018, Segall has dropped two full-length studio albums. Freedom’s Goblin, a monstrous solo effort, and Joy, a full length with longtime creative buddy White Fence.

Metropolis stands one of the most ambitious undertakings in anime history.

Imagine a wanderer, and you’ll probably conjure images of an aimless solo traveller, trudging along a dusty, sun-beaten track, guitar slung over one shoulder; it’s a word synonymous with rootlessness, with the rejection of a fixed home, certainty and structure.

One of the otherworldly bands that made eclectic record label 4AD so appealing in the ‘80s, Dead Can Dance, the duo of multi-instrumentalist Brendan Perry and surreal vocalist Lisa Gerrard, are still going strong and celebrate the end of a 6-year hiatus with another ethereal and haunting, yet upbeat recording.

Sorry to Bother You was one of the most buzzed about movies out of Sundance.

Earlier this year, Iggy Pop said that Mitski Miyawaki, known more commonly by just her first name, is “probably the most advanced American songwriter that I know.” Most people would take such a comment as hyperbole, even if the artist in question is someone that they like.

Within the first offering of Spencer Krug’s towering swan song album as Moonface before he moves on with his solo composing sans alias, there is a signature stroke that nods to why he is one of the great musical outliers of this century.

In 1996, a virus spread across the globe which erased all but one percent of human lives on the planet.