Martin Scorsese’s and Paul Schrader’s mutual interest in exploring the ways religious guilt and spiritual angst take a physical toll on people are a true match made in Heaven in Bringing Out the Dead (1999).

Slowhand at 70 is well worth the ticket, even for those who first caught it back when Slowhand would have originally blown out his candles.

Live in Munich 1977 is the only full live concert filmed of the Blackmore/singer Ronnie James Dio/drummer Cozy Powell lineup of Rainbow.

As Burn, Witch, Burn (1962) unfolds, the notion of everyday witchcraft takes a sinister turn, revealing the dangers of underestimating its power.

Kingdom of the Planet of the Apes’ physical release has features that make up for the film’s narrative shortcomings.

An essential gem in the uncomfortable cinema canon, Todd Solondz’s Happiness (1998) is the cinematic equivalent of slowly peeling off a Band-Aid.

There’s a particular kind of loneliness that director Andrew Haigh captures in All of Us Strangers (2023) that is both devastating and invitational.

There couldn’t be a better time for the Criterion Collection to restore Gregg Araki’s Teen Apocalypse Trilogy in a stunning 3-disc box set.

​One of JCVD’s best ‘90s action vehicles receives a stellar home video release.