For their ninth studio album, The Hold Steady are in peak form on The Price of Progress as they celebrate the band’s 20th anniversary in 2023.

For the better part of three decades, experimental DIY quartet Deerhoof have been pushing the boundaries of rock music.

It’s hard to believe Ladytron have been making music for nearly a quarter of a century. Particularly as they still sound as if they’ve been delivered from the future, which would explain why they’ve achieved such reverence while attaining a longevity many of their peers could only dream of.

It’s difficult to think of any other artist over the past 30 years whose output has been as prolific or reached the same levels of consistent greatness as Anton Newcombe and The Brian Jonestown Massacre.

Manchester UK’s Dutch Uncles are leading the charge to somehow make the ’80s cool again.

Having released four critically acclaimed albums since emerging nearly two decades ago with the groundbreaking Start Something EP, it was somewhat inevitable that James Chapman (aka Maps) would go back to basics on his fifth collection.

Emerging UK artist Eaves Wilder began recording, producing, and releasing her own music at the age of 16. However, despite receiving offers, she didn’t want to sign a record deal until she turned 18 because nobody wants their mum, no matter how cool they may be, to sign a deal on their behalf, right?

As opening lines go, “Sometimes I wake up/And I wonder/What is my job?” is pretty sweet.

Back in the early days of 2020, Caroline Rose (who uses they/them pronouns) was one of the many artists who tragically found their album releases overshadowed by the pandemic.