For artists like Lorde who kicked off their career with a legendary record, the anxiety surrounding the sophomore slump is usually there. But Ella Yelich-O’Connor has managed to bypass that notion with the follow-up to her 2013 debut Pure Heroine.

From Noon Till Three is a rare, unique entry into the annals of Western movies, a dark film that’s part comedy, part drama, and one that contains one of Hollywood’s more interesting commentaries on the nature of celebrity and myth-making.

Remember a few decades back when synthesisers took over, heralding the sound of the future? That sound has diluted now, ironically becoming a past artefact modern electronic musicians turn to.

Death stalks Alone in Berlin, which should come as no surprise given it’s an anti-Nazi story unfolding in wartime Berlin.

The past has not been smooth sailing for The Drums. What began as a band seems to have reduced to only Jonathan Pierce. A promising start also came unstuck with a move away from the pure indie-pop that brought them to notice in the first place.

Georges Franju’s 1961 film, Spotlight on a Murderer, is an odd little movie.

Long unavailable except as streams on their Bandcamp page, the Washington D.C. band Priests has fulfilled the demand for the re-release of some of their earliest material by reissuing both of their early cassette releases on a single LP for Record Store Day.

When Japanese filmmaker Yasujirō Ozu released 1959’s Good Morning, it was the beginning of the final chapter of his life.

When Fleet Foxes first appeared on the music scene, it was like they’d walked out of their own time and space and arrived in 2008 fully formed.