When Japandroids were recording their latest album, Near to the Wild Heart of Life, it would have been hard for them to conceive of the environment into which the album would finally be released.

Stellular, the sophomore album by former Pipettes singer and Mark Ronson-collaborator Rose Elinor Dougall, comes a full seven years after her solo debut, Without Why.

Scenes unfold like small poems in Jim Jarmusch’s Paterson.

Two days after Led Zeppelin’s concert film The Song Remains the Same hit theaters, The Damned dropped U.K. punk’s opening salvo with their debut single, “New Rose.”

In The Founder, Michael Keaton continues his run of great roles since his reemergence in Birdman.

We’ve come a long way in the five short years since Foxygen‘s breakout release, Take the Kids Off Broadway: a gloriously all-over-the-place disc of psych-pop and endearingly lo-fi rock freak-outs.

Philip’s only hope is to seek the help of an old drunk named Van Helsing – yes, he’s related to that Van Helsing – to exorcise a witch and save his beautiful wife.

Ken Loach’s searing brand of social realism has made him one of the most important voices in British cinema for decades.

Toronto-based Austra‘s third album, Future Politics, pushes their modus of uptempo mystic darkwave permeated by airy goth song. At home in the frosty confines continuing to surround her, lead singer, keyboardist, and producer Katie Stelmanis soars over a bolstered field of production and through spirited themes addressing the forces that prompt reaction.