Fans of Black Mirror, the cult-favorite sci-fi anthology series from the U.K.‘s Channel 4, may have been wary when Netflix acquired distribution and ordered up 12 episodes. Indeed, part of what made the series so intriguing came from the savvy release model of slim 3-episode seasons.

In terms of popularity, Superman is a paradox among superheroes. He is the heroic archetype, iconic and eternal. But when it comes to actual stories, nothing outside of his origins really come to mind, and most fans would even admit that the overpowered nature of Superman’s abilities just makes him boring.

British-born, Nashville-based soul singer Jamie Lidell has never been afraid of experimenting with a multitude of instruments or genres; throughout his career he’s leapt deftly from R&B to funk to electronica, confidently finding his footing after every stylistic departure.

At first glance, In a Valley of Violence seems like a major departure for writer/director Ti West.

Chiron is a little boy growing up in Miami with a drug addict for a mother, a drug dealer for a role model and bullies for classmates. Over the next twenty years, he will struggle to find his identity and companionship in a world that has no interest in providing him with either.

Before Katie Crutchfield (vocals/guitar) started her solo project Waxahatchee in 2011 and her twin sister Allison Crutchfield (drums) joined the now also defunct and much-missed Swearin’ around the same time, they were both in P.S. Eliot, a band formed in their hometown of Birmingham, Alabama.

There has perhaps never been a starker illustration of the dichotomy between an interesting record and a good one than this. Regardless of whether you think Oasis’ first two albums were any good or not, there is no denying they were huge; they captured the mood of a Euro ‘96 football-obsessed England, dissatisfied with the dying embers of Tory rule.

Jim and Amanda were more than lovers in high school – they were one another’s future.

Reissued here as a double CD set, King for a Day…Fool for a Lifetime proves itself as perhaps Faith No More’s defining release.