A half-cocked fusion of Rosemary’s Baby and a home invasion flick.

The crew of the USS Enterprise are chased into a parallel dimension, where they find a version of Earth devastated by nuclear war. Evolution, it seems, has altered significantly from the history Kirk and his crew are familiar with, and the bipedal primates roaming the planet are not the human beings they expected to find, but walking, talking, great apes.

It’s easier than it should be to make fun of Duran Duran. Their 1980s heyday saw them churn out some of the greatest pop melodies of the era—“Hungry Like the Wolf” is an all-time great, no matter what anyone says.

A riveting Midwestern murder mystery.

Jon Morris’ knowledge of comic book history is immediately and readily apparent in his delightful-and insightful-accounting of some of the medium’s most “half-baked heroes.” In The League of Regrettable Superheroes, Morris wittily breaks down the shortcomings of a hundred different caped and costumed vigilantes whose collective kryptonite proved to be the test of time.

Prophet’s Prey digs deep into the demons lurking within a hotly contentious church that exists outside of mainstream American religion.

Old World Underground, Where Are You Now? aged with such grace that it still prompts the question: Why weren’t Metric pulled into the popular ring when it debuted in 2003? Its snappy guitar lines and whiplashed words were poppy enough for the radio but smirked with its own personality.

Sons of Anarchy creator Kurt Sutter returns to FX Networks with The Bastard Executioner, a bloody, medieval saga about Wilkin Brattle, a war-weary 14th Century soldier trying very unsuccessfully to live a life of peace.

Breathe makes it clear that Mélanie Laurent is just as electrifying behind the camera as she is in front of it.