Currents opens with “Let It Happen,” which instantly launches itself into the Tame Impala pantheon. Well, maybe not instantly—it takes close to eight minutes.

Fans of Arthur Conan Doyle’s stories will undoubtedly relish in the way Bill Condon’s film—adapted from a 2005 novel—plays with canon. Non-aficionados may be disappointed with the dearth of actual mysteries.

How many times could you listen to the same song repeatedly? Or, if you’re a musician, how many times could you handle playing that song over and over?

Roanoke, Virginia trio Eternal Summers are fond of the descriptor “dream-punk.”

MS MR‘s second album, How Does It Feel, kick-starts with no preamble with the jumpy and escalating “Painted.” This signals the extreme highs and lows of the duo’s follow-up to 2013’s well-received debut, Secondhand Rapture.

Jellyfish Eyes is the directorial debut from fine artist Takashi Murakami.

Now this is a warm surprise. After roughly a 15-year hiatus, Dave Pearce has revived Flying Saucer Attack from the ashes—or the clouds—with an album of 15 solo pieces.

Girls Names aren’t exactly a band that shy away from reinvention. They wrote off their debut album of rackety surf pop as a disaster before it had even been released, calling it Dead to Me and moving swiftly on to the hypnotic,

LA Priest is all over the place. Thank goodness. Sam Dust, the 28-year-old behind the moniker, split with Late of the Pier in 2010 and hopped around the globe playing guitar in Connan Mockasin’s band.