George Clinton’s memoir is an insightful and informative trip through the wild and crazy world of P-Funk, told with all the intelligence, openness, and honest that the story deserves.

The Night Porter‘s subject matter—a romantic relationship between a camp survivor and one of her Nazi oppressors—was controversial in 1974, and feels just as taboo today.

The Last Impresario is unfortunately a fine example of a documentary that reveals a natural path in its subject but decides to avoid it.

Eighteen years. That’s how long Scotland’s most whimsical indie ensemble Belle and Sebastian has been around. For a band that’s barely scratched the mainstream surface, it’s some achievement, especially as Stuart Murdoch’s wistful troupe still look a long way off from calling it quits.

One of the nicer surprises of my life so far has been falling in love with Poland.

Murder of a Cat takes a classic noire-esque murder mystery to an absurdly banal suburban setting.

Sometime Super Furry Animals frontman and Neon Neon mouthpiece, Gruff Rhys, uses his solo albums as a vehicle for travel and self-discovery. On his fourth venture, American Interior, it was not enough to produce only an album; Rhys has also filmed a documentary film, written a book, and developed an app.

It’s an unproven medical fact that one in five children born between 1983 and 1985 were conceived while an 8-track tape of Roxy Music’s Avalon was playing. A night may begin innocently with roses and a candlelit dinner, but once Bryan Ferry‘s voice drifts out from the stereo speakers there’s little doubt where that evening is heading.

Israeli military comedy Zero Motivation follows a group of young, female soldiers serving out their nation’s mandatory two years of service within the administrative department of a quiet, regional base.