One thing about Hauschka‘s music is that once you’ve seen it performed live—hell, a YouTube clip will almost suffice—it’s impossible to dissociate the visual from the sounds you’re hearing.

“Charge,” the first song of Elbow’s concert, is aptly titled. The British band storms the audience with startling vigor, urged on by Richard Jupp kicking his bass drum with the force of a Clydesdale. Midway through the new track, a pair of female violinists seated at the rear of the stage swoop in. Their dramatic musical squall increases the barometric pressure inside the room. The audience somehow finds its breath for a loud cheer.

As viewers of Sherlock may already be aware, the rumors of Sherlock Holmes’s (Benedict Cumberbatch) demise were greatly exaggerated-so to speak.

For Record Store Day 2014, Dayton, Ohio’s Misra Records released a 7” record with a new song by Torres on side A and one from Dayton’s own Motel Beds on side B.

Lambchop‘s music is a beautiful, surprisingly hard-to-categorize mix of folk, blues, jazz, and lounge music. At the time of Nixon, originally released in 2000, the band consisted of 14 members, and in addition enlisted the Nashville String Machine and a choir.

Centering a film on a trio of environmental terrorists creates an immediate challenge in bringing an audience on board, but director Kelly Reichardt crafts Night Moves into a gripping, suspenseful, and ultimately tragic tale.

Edinburgh homicide detective Bruce Robertson is an unapologetically despicable protagonist, but James McAvoy tempers him with his usual charm.

If the last 10 years have proved anything, it’s that Norwegian DJ and producer Todd Terje knows how to fill dance floors. But, rather surprisingly, this king of neo-disco—despite spreading his infectious electronica across countless EPs and remixes—has never released a full-length until now.

Hazy psychedelia is the catchphrase for former MMOSS frontman Doug Tuttle‘s self-titled solo debut. Written at the tail end of MMOSS’ disbandment as well as the dissolving of Tuttle’s personal relationship, this highly personal work is representative of the atmospheric leanings of the former and the separation of the latter.