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The Killing of a Sacred Deer

Studio: A24
Directed by Yorgos Lanthimos

Oct 20, 2017 Cinema Web Exclusive

The Killing of a Sacred Deer lacks the high-concept hook that makes The Lobster so easy to discuss.

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Leatherface

Studio: Lionsgate
Directed by Julien Maury and Alexandre Bustillo

Oct 20, 2017 Cinema Web Exclusive

This brand of origin story is terribly ill-conceived.

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Una

Studio: Swen Releasing
Directed by Benedict Andrews

Oct 11, 2017 Cinema Web Exclusive

Fifteen years after being abused as a child, Una (Rooney Mara) tracks down her victimizer (Ben Mendelsohn) at his office and forces him to confront the past he worked hard to erase.

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The Florida Project

Studio: A24
Directed by Sean Baker

Oct 06, 2017 Cinema Web Exclusive

With The Florida Project, Sean Baker shifts his focus to the east coast - specifically the strip-mall suburbs of Orlando - to shine a light on another community of the underserved and ignored, in what may be the best film of 2017.

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Better Watch Out

Studio: Well Go USA
Directed by Chris Peckover

Oct 05, 2017 Cinema Web Exclusive

Fans of genre classics such as Gremlins and Black Christmas will be delighted to add this to their list of holiday viewings.

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Oct 03, 2017 Cinema Web Exclusive

If you’re a fan of Pearl Jam and have never seen them perform live - and absolutely if you think you may not - Let’s Play Two is a must view.

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Abundant Acreage Available

Studio: Gravitas Ventures
Directed by Angus Maclachlan

Sep 28, 2017 Cinema Web Exclusive

After their father’s passing, siblings Tracy (Amy Ryan) and Jesse (Terry Kinney) find three elderly men camped on their 50-acre tobacco farm.

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Super Dark Times

Studio: The Orchard
Directed by Kevin Phillips

Sep 26, 2017 Cinema Web Exclusive

Comparisons to Stand By Me and Donnie Darko have already been made, but the film in which Super Dark Times footsteps seems to be following is It Follows.

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Goon: Last of the Enforcers

Studio: Momentum Pictures
Directed by Jay Baruchel

Sep 18, 2017 Cinema Web Exclusive

Goon: Last of the Enforcers attempts to recapture the magic, trying to show more is more, and less is more, while proving neither is more in this instance.

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