Daniel Radcliffe endeavors to inhabit the challenging role of Nate Foster, a green federal agent who becomes embedded in the world of rural american white supremacy.

In his new documentary about the pervasiveness of the Internet in modern society, Werner Herzog employs his familiar unfiltered treatment of subject matter.

Those of you from my approximate group—we’ll call ourselves ‘80s kids—will remember a time when our favorite children’s films were watched through cracks between our fingers.

Alice Winocour’s story of an army veteran with PTSD hired to serve as bodyguard to a wealthy man’s wife and son while he is away on business.

Crafting a relatable image of a die-hard role playing game enthusiast can be a challenging task but that is the cinematic gauntlet director Josh Bishop snatched up when he began his latest documentary, The Dwarvenaut.

As a face of the American indie-film movement of the 1980s and the director of eighteen films over the last three decades, Richard Linklater is one of cinema’s most prominent living auteurs.

Ellen Page is Taullulah, a nomadic, family-less young woman whose recent breakup with her boyfriend compels her to his hometown of New York City in hopes of finding him.

Sun Choke is plagued by the vague and cryptic.

It’s a bit strange it took so long for the Antoine de Saint-Exupéry’s beloved book Le Petit Prince to get its cinematic due.