It is not only director Will Allen’s unprecedented access and unique perspective that give his documentary, Holy Hell, it’s value.

Welcome to Happiness doesn’t consistently deliver on the title, but it has its moments.

Pervert Park is a rare and brutally honest exploration of one of society’s most detested elements.

We The People: The Market Basket Effect documents a rare case in American society where the will of its common people prevailed.

Most Likely to Die is the epitome of the uninspired low-budget slasher.

Jim Stone and David Waters are a pair of bored cops working evidence processing in the Las Vegas police department. After stumbling across a suspiciously high bail payment for a low-level drug dealer, Jim and David begin their own ill-advised investigation.

Whit Stillman’s comedies’ focus on the narrow standards of behavior permitted in certain social circles, particularly among the well-to-do, has always cribbed quite a bit from Jane Austen.

An adaptation of a J.G. Ballard story about a dystopian nightmare of a modern housing development, High Rise is gorgeously disjointed, chaotic, and unclassifiable.

Yorgos Lanthimos has made a film that’s disturbingly hilarious, and perhaps even surpasses the benchmarks for discomfort he set with 2010’s Oscar-nominated Dogtooth.