Dementia is just too clumsy to ever be thrilling.

New York City, 1992. The city is captivated by the trial against John Gotti.

In 1983, when Dave Navarro was just 15 years old, his mother Constance and her good friend Sue Jory were brutally murdered by the former’s abusive con-artist ex-boyfriend, John Riccardi.

An uncanny Elvis soundalike, Jimmy Ellis was a reluctant disciple.

Carol uses satire as a mask which, once cast aside, leads to an incredibly well-drawn relationship between its two leads and unspoken discussions on station, gender, sexuality, and identity.

Extraordinary Tales falls short of the bar set by the master of macabre who inspired it.

John Rad spent nearly 25 years making Dangerous Men before needing to rent out space to be able to show it during its initial run in 2005.

When confronted with family tragedy, James White, a New Yorker in his late-20s, turns not to family, but to drugs and alcohol as coping mechanisms.

All anyone is looking for in Alison Bagnall’s Funny Bunny is a little bit of understanding.