Downfall remains one of the most brutally impactful World War II narrative films made to this date.

King of Jazz feels like peering into a dream from almost a century ago.

A slow-moving and tonally all-over-the-place Western, The Outlaw is nonetheless an important piece in the film careers of Jane Russell and billionaire Howard Hughes.

Black Eagle featured a pairing of two of the 1980s’ most iconic martial arts stars.

The Strangers is an utterly low-rent Funny Games, striking a distinctly limper punch with greater unneeded flash.

Judgment at Nuremberg feels at once incredibly dated and incredibly present.

Kids in the Hall were not just Canada’s greatest comedy export: they were a cornerstone of post-punk sketch comedy and the most essential link between Monty Python and Tim & Eric.

Arrow Video continues their exhumation of splatter hero Herschell Gordon Lewis’ gruesome filmography with two films from his mid-1960s heyday.

Paris Holiday (1958) paired Hope – still, at the time, one of America’s reigning comedians – with the mono-named Fernandel, France’s top comedic actor of the era.