During the 1920s, Alfred Hitchcock worked as a title designer, assistant director, writer and co-director on dozens of features at the peak of the silent era.

If you’ve never seen The Apple, then you’ve never seen anything like The Apple.

Flowers for Algernon for the MS-DOS era.

Many films aspire towards iconic status but few will ever attain such heights. Trainspotting is a rare exception, emerging in 1996 to launch careers and take its place as one of the great British, and specifically Scottish films of modern times. Returning to the same ground was always going to be an exercise in nostalgia and so it proves in ways both good and bad.

Split between a tale of the ravages of war, a morality fable, and a ghost story, Kenji Mizoguchi’s Ugetsu is as good an example of economic storytelling as can be imagined.

John Wayne was and is one of Hollywood’s great leading men, and his filmography contains dozens of movies many people consider to be classics. Douglas Hickox’s Brannigan isn’t one of them.

From Noon Till Three is a rare, unique entry into the annals of Western movies, a dark film that’s part comedy, part drama, and one that contains one of Hollywood’s more interesting commentaries on the nature of celebrity and myth-making.

Death stalks Alone in Berlin, which should come as no surprise given it’s an anti-Nazi story unfolding in wartime Berlin.

Georges Franju’s 1961 film, Spotlight on a Murderer, is an odd little movie.