Twelve men are all who occupy U.S. Outpost 31, a remote research station deep in the Antarctic.

The real horror of Carrie does not lie with the vengeful, telepathic teenager of the movie’s title, but in the endless stream of abuse she endures for the majority of its runtime.

The Cohen Film Collection pairs two of Sirk’s lesser-known works into a single package.

In certain cinephile circles, the reputation of Mark Robson’s Valley of the Dolls, based on the novel by Jacqueline Susann, precedes itself.

There are a lot of things that should throw up red flags in any new relationship, but if your fiancée believes she’s descended from a line of Serbian witches who turn into throat-ripping panthers at the first touch of intimacy, boy, you best run.

Revisiting the 1984 debut of writing/directing team Joel and Ethan Coen somehow only serves to amplify their mystique.

Jeffrey Byron plays Dogen, a ranger who’s tasked himself with stalking an evil warlord across his unidentified, Southwestern-looking planet.

The opening sequences of TF:TM are like the wedding sequence at the end of The Godfather, and the Autobots are all of Michael Corleone’s enemies.

Criterion issues a long-underseen Shakespeare adaptation by Orson Welles.