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Mar 03, 2026 Web Exclusive By Matt the Raven

Heavenly are back. Highway to Heavenly is the first new album under that name since 1996 and interestingly finds the British indie-pop band in a state of flux, delivering a polished record that is perfectly functional but curiously weightless. The band’s most consistent strength lies in its harmonized backing vocals, which add a much-needed layer of charm to the proceedings and provide a melodic cushion for the listener.

The album’s wistful tone often mimics the sophisticated pop of Ivy. It’s a pleasant enough aesthetic as the band attempts to balance this with tracks that are punchy and lively, reminiscent of the upbeat drive found in The Beths; however, unlike that group’s knack for guitar-forward energy, these songs are not as dependably catchy.

The production on Highway to Heavenly is undeniably slick. Heavenly have introduced some production tricks and subtle instrumental flourishes to their palette, elevating the arrangements beyond standard indie pop fare. The result is a collection of songs frothing with pleasant melodies and sparkling textures. Curiously, despite this melodic density, the album feels somewhat void of hooks. The songs flow delightfully from one to the next, but they rarely provide that singular, sticky moment that demands a repeat listen.

Opening track “Scene Stealing” comes close, as a hint of a hook can be found buried within the crisp pop but it’s mostly downhill after that. The pop melodies and commercial playfulness will play nicely with twee pop fans but will most likely leave indie rockers hungry for more. Even the single “Excuse Me”—with its quicker pace and bright arrangement—doesn’t have quite enough flavor to come back for a second helping.

Those familiar with Heavenly’s previous work will find a lot to like here, and those unfamiliar will not dislike it. But while the tracks are enjoyable and pleasant enough, there’s not quite enough bite to make them memorable. (www.skepwax.com)

Author rating: 5/10