Garbage
No Gods No Masters
Stunvolume
Jul 08, 2021 Web Exclusive
There was a time when Garbage sounded like the future with their industrial-tinged arena-sized electro grunge pop. The world has finally caught up and on their seventh studio album, No Gods No Masters, Garbage sound very much like a band of the now. It’s unquestionably up there with some of their finest work, as the band look to slay the sacred cows of religion, the patriarchy, as well as addressing inequality, greed, and climate change. Frontwoman Shirley Manson sounds as vital as ever and the album’s opening lines—“The men who rule the world/Have made a fucking mess/The history of power/The worship of success”—is a pretty unequivocal statement and sets the tone for most of what’s to come. No Gods No Masters is a beguiling mix of melody, politically charged lyrics, searing guitars, dramatic synth flourishes, and driving percussion.
Whilst there’s plenty of raging against the injustices of the world, Manson also shows her vulnerability on tracks like “The Creeps,” which was initially written way back in 2009 as a response to being dropped by her label, Interscope. There’s the beautiful “Uncomfortably Me,” which speaks about self-doubt and seeking the approval of people you have little respect for, just to fit in. “Wolves” is classic Garbage demonstrating their innate ability to craft futuristic dystopian doom pop, whilst “Waiting For God” addresses the endemic racism in America where “black boys get shot in the back.” Elsewhere Garbage tackle religion on “Godhead” as Manson whispers, “Would you deceive me if I had a dick?/Would you know it/Would you blow it?” The album’s soaring title track re-imagines a society free of greed and corruption.
You could perhaps argue that some of the messages contained within No Gods No Masters aren’t exactly nuanced, however Manson and co. would perhaps reason the time for subtly is a ship that has long since sailed. Indeed if you’re going to advocate dismantling the patriarchy and challenge inequity then getting in people’s faces is a far more effective technique than employing deferential diplomacy. After 30 years in the game, No Gods No Masters demonstrates Garbage still have plenty to say. And they do so with style, swagger, and verve. (www.garbage.com)
Author rating: 8/10
Average reader rating: 8/10
Current Issue
Issue #72
Apr 19, 2024 Issue #72 - The ‘90s Issue with The Cardigans and Thurston Moore
Most Recent
- Under the Radar Announces The ’90s Issue with The Cardigans and Thurston Moore on the Covers (News) — The Cardigans, Thurston Moore, Sonic Youth, Garbage, The Cranberries, Pavement, Lisa Loeb, Supergrass, Spiritualized, Lush, Miki Berenyi, Miki Berenyi Trio, Emma Anderson, Hatchie, Ride, Slowdive, Velocity Girl, Penelope Spheeris, Terry Gilliam, Gus Van Sant, Ron Underwood, Kula Shaker, Salad, Foals, Semisonic, The Boo Radleys, Stereo MC’s, Pale Saints, Blonde Redhead, Sleater-Kinney, Cocteau Twins, Lucy Dacus, Alex Lahey, Horsegirl, Grandaddy, alt-J, Squid, The Natvral, Wolf Alice, Jess Williamson, Sunflower Bean, Orville Peck, Joel McHale
- 10 Best Songs of the Week: Fontaines D.C., Cassandra Jenkins, Loma, John Grant, and More (News) — Songs of the Week, Fontaines D.C., Cassandra Jenkins, Loma, John Grant, Good Looks, Hana Vu, Belle and Sebastian, Yannis & The Yaw, Strand of Oaks, Home Counties
- Fresh Shares New EP ‘Merch Girl’ (News) — Fresh
- Premiere: LOVECOLOR Shares New Video for “Crazy Love” (News) — LOVECOLOR
- Final Summer (Review) — Cloud Nothings
Comments
Submit your comment
July 9th 2021
2:43pm
Thank you. I found the topic very useful. I did not expect the topic to be so useful. It is a bit of a long article, but useful content