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Jun 19, 2015 Web Exclusive By Scott Dransfield

Last June, out of nowhere, Los Angeles-based pop-singer nobody Ryn Weaver released a song called “OctaHate” and overnight became a somebody. Myriad music blogs, fresh off the latest think-piece about “poptimism,” snatched it up and, along with buddy and co-writer Michael Angelakos of Passion Pit, gave it the buzz and indie cred that usually lead to success. It’s easy to hear why, too: “OctaHate” is an effortlessly effervescent pop masterpiece complete with a planet-sized chorus and driving percussion. With collaborators like Angelakos and star pop producer Benny Blanco on board, hopes were high for the album.

The Fool contains many songs in line behind that first single; put any one of them on at random and you’ll think it’s a pretty great pop song. Play them in order though, for 40 minutes, and the experience becomes repetitive and empty. It’s clear that Weaver has talent and potential-“Runaway” has an Annie Clark-esque lilt and “Sail On” is rather affecting-but while the ingredients are high quality, they need more time to cook, so to speak, before Weaver’s ready to make a serious pop album. (www.rynweaver.com)

Author rating: 5/10