How has the ‘90s most infamous flop aged? Arrow Video’s extensive Blu-ray edition helps us find out.

Jerking, frantic, visceral rock from the El Paso band Le Butcherettes abounds here on their fourth full-length, bi/MENTAL, their first away from long-term collaborator/producer Omar Rodríguez-López (of The Mars Volta).

Roger Daltrey tells of his life in The Who in his memoir, Thanks A Lot Mr Kibblewhite.

The third album by Thousand Oaks, CA-based singer/songwriter Angelo De Augustine is a minor key miracle.

Mixing New Wave style anthemic pop hooks with jangly chorused guitars and New Age lyrics, the Norwegian dream pop group Chain Wallet strive for profundity amidst the dizzying headrush of ‘80s nostalgia.

Shame isn’t spoken of as much as Bergman’s other classics, but it absolutely deserves every ounce of its recognition and continued acclaim.

After a run of three outstanding albums in the form of 2012’s Silver Age, career-highlight Beauty & Ruin in 2014, and tear-stained gem Patch the Sky in 2016, former Hüsker Dü and Sugar frontman Bob Mould delivers a brighter, bolder rock record than one might expect at this stage of his storied career.

No band sweats luscious, dizzying nostalgia like The Lemonheads. Once cover boy Evan Dando is the sole consistent member of the Boston-formed college-rockers and Varshons 2 picks up where his 2009 album of covers, Varshons, left off—blatantly mediocre covers of cushy, critically-acclaimed acts (Varshons featured songs by Gram Parsons, Wire, GG Allin, Leonard Cohen, and Tim Hardin).

Structured as if it were a low-rent version of The Twilight Zone set against mundane neighborhoods in England and France, the series walks us through twelve isolated stories of ordinary people behaving badly.