Mdou Moctar: Funeral for Justice (Matador) - review | Under the Radar Magazine Under the Radar | Music Blog for the Indie Music Magazine
Sunday, May 19th, 2024  

Mdou Moctar

Funeral for Justice

Matador

May 08, 2024 Web Exclusive Bookmark and Share


Mdou Moctar (aka Mahamadou Souleymane) has come a long way since building his first guitar out of wood and bicycle brake cables as a teenager. Armed with a white Stratocaster, the Tureag guitarist (and namesake for the band Mdou Moctar) was propelled into the international consciousness when his 2021 record, Afrique Victime, garnered praise from both the indie and mainstream press. And rightfully so: that record showcased both Moctar’s virtuosic playing and his distinctive blend of psychedelic rock and desert blues.

Funeral for Justice is even better. Let’s keep it simple: this thing fucking rips. Moctar—along with his bandmates Ahmoudou Madassane, Mikey Coltun, and Souleymane Ibrahim—has built upon the foundations of Afrique Victime and made a tighter record that’s infused with garage rock energy. This isn’t a solemn funeral march: it’s a rallying cry.

Unlike other so-called guitar gods of the modern age, Moctar doesn’t seem interested in flaunting technicality (though he absolutely shreds). His music is as emotionally charged as it is politically focused, criticizing the structural violence years of French colonialism has inflicted (and continues to inflict) upon West Africans. He opens the record with a question for African leaders: “Why does your ear only heed France and America?” Single “Imouhar” transforms from reserved bluesy licks into a galloping grove over which Moctar pleas for the preservation of the Tamasheq language in which he sings.

Then there’s the righteous fury of “Oh France,” the call for pan-African unity on “Imajighen,” the call and response vocals of “Takoba” that mimic a common form found in real-life protests. A chorus of distant voices are layered underneath Moctar’s vocals. The result is a record that begs you to sing along, to participate, to get involved. Only on the final track, “Modern Slaves,” does Moctar finally relent, lamenting the global apathy toward the suffering of others. In a near-whisper, he repeats, “All you do is watch. All you do is watch.” (www.mdoumoctar.com)

Author rating: 9/10

Rate this album
Average reader rating: 9/10



Comments

Submit your comment

Name Required

Email Required, will not be published

URL

Remember my personal information
Notify me of follow-up comments?

Please enter the word you see in the image below:

There are no comments for this entry yet.