Metric

Pagans in Vegas

MMI

Sep 15, 2015 Issue #54 - August/September 2015 - CHVRCHES Bookmark and Share


Old World Underground, Where Are You Now? aged with such grace that it still prompts the question: Why weren't Metric pulled into the popular ring when it debuted in 2003? Its snappy guitar lines and whiplashed words were poppy enough for the radio but smirked with its own personality. With each album that followed, Metric fought harder to gain the spotlight they narrowly missed, ultimately sacrificing integrity and musical wit, a choice that simultaneously dims their hooks and audience's stimuli. Pagans in Vegas sees them descend one step further.

Emily Haines forks up her lush, sultry, endearing vocals for distanced delivery. "Fortunes" sees her parting through baritone fields and "The Governess" opts for talk-singing about a guilt-driven empire. The rest, particularly "Lie Lie Lie" and "The Shade," filters through enough vocalizer to shed the distancing charm of Synthetica in favor of a nonsensical tone akin to Animal Crossing's singing cartoon dog, K.K. Slider.

That doesn't mean it's without its moments. Metric's slower numbers here surprisingly take the lead. "Blind Valentine" rolls out several punches while "For Kicks" pins melodies to your skull. Even "Cascades" gets robotic with poised moves that entertain from beginning to end.

Fantasies and Synthetica were a slow descent downwards, but it's Pagans In Vegas and its 12 tracks of tired melodies that sees Metric part with what gave them edge in the beginning: sharp lyrics, double-time guitar riffs, and a pen that writes without an awareness of the media. As the album closes with a two-part pairing of instrumentals obeying "The Face," we lose whatever pop focus guided the album.

Metric aren't holding a belief different than those of the mainstream; they're as religiously wedded to Billboard charts as they are to the motions-fading out with a blurry bow to an unrecognizable deity confirms that. (www.ilovemetric.com)

Author rating: 4.5/10

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Average reader rating: 6/10



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rhythmstyx
September 17th 2015
1:47pm

What a sloppy review. I’ve read that last paragraph five times and have no idea what it’s trying to say, even forgiving the grammar issues.

A reviewer should not be so resistant to the pull of an artist’s first (or early) work that they cannot open their minds and ears to later albums that do not retain the same sound. It is certainly possible that this album is a huge disappointment, but as a fan of Fantasies and Synthetica, AND Old World Underground, I am hopeful that PiV is a grower and only requires multiple listens and an open mind.

Amy
September 25th 2015
1:21pm

Terrible, terrible review. Did you listen to this album? It sounds like you hate Metric and long from them to sound like they did in 2003. Not sure why you were chosen to review this. As a Metric fan since 2003 I think this is their best work.

Jman
October 15th 2015
4:46am

album is a disappointment for me so far.  its got a few tracks i don’t mind but The Otherside (i buy Metric albums for Emily Haines’ vocals) and Faces should have been left off.  I still love Metric.  Not all albums suit everyone and I applaud them for looking for different sounds.