Nov 03, 2016
By Matt Fink
Deerhoof
On July 11, 2016, Democratic nominee for president Bernie Sanders officially endorsed Hillary Clinton for president, thereby ending one of the unlikeliest campaigns in American political history. It had been a remarkable run for the 74-year-old Vermont senator, going from barely registering in national polls to running neck and neck with Clinton throughout much of the primary. And, if public statements and Twitter endorsements are to be believed, the world of indie rock stood almost unanimously in their support for him. Vampire Weekend, TV on the Radio, Grizzly Bear-all performed for Sanders at his rallies. Killer Mike of Run the Jewels filmed interviews with Sanders to help spread his message.
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Nov 01, 2016
By Matt Fink
Issue #58 - The Protest Issue
In the middle of April, the members of Viet Cong found themselves in an unusual position. It was a little over a year since their self-titled debut had established them as a post-punk buzz band, but they already had their sophomore album exactly how they wanted it: completely mixed, mastered, and its song titles chosen.
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Oct 28, 2016
By Kyle Mullin
The Veils
Just like the creeping amphibians that the song is named after, “Axolotl” lumbers along at an eerie rhythm all its own. But for Finn Andrews of the London-based band The Veils—who wrote the song as the opening track for their new album, Total Depravity—such creepiness is oddly wholesome.
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Oct 27, 2016
By Joshua M. Miller
Issue #58 - The Protest Issue
The lyrics of Cass McCombs’ new album, Mangy Love, his eighth and ANTI- debut, may lean heavily on political and social issues but don’t let that fool you as election year fodder. It’s just a coincidence.
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Oct 26, 2016
By John Everhart
Savoy Motel
There’s a glam swagger permeating the self-titled debut album of Nashville’s Savoy Motel, twisting serpentine psych with Roxy Music-esque flourishes.
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Oct 25, 2016
By John Everhart
Slow Club
It’s a bit of anomaly in the 21st century for a band to grow organically artistically while expanding their audience. Slow Club have deftly managed such a feat over the course of 10 years and four albums.
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Oct 21, 2016
By Lily Moayeri
Wild Beasts
John Congleton, producer of Wild Beasts’ fifth album, Boy King, has an oversized dildo and a plastic Jesus guarding over the mixing desk in his Dallas, Texas studio, Elmwood Recording.
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Oct 20, 2016
By John Everhart
Metronomy
Romanticizing the past can easily metamorphose into cheap nostalgia. On first blush, Metronomy‘s newest, Summer 08, feels like a prime candidate to succumb to this malady.
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Oct 19, 2016
By Joshua M. Miller
The Lemon Twigs
Brothers often fight and clash. But they can also be the biggest motivators for each other. Take for example 19-year-old Brian D’Addario and his 17-year-old brother Michael. They’ve used their differences and similarities to create the catchy pop-rock of their Long Island, New York, band The Lemon Twigs.
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Oct 17, 2016
By Laura Studarus
Issue #58 - The Protest Issue
Wye Oak‘s fifth studio album Tween was a surprise release. But as singer/guitarist Jenn Wasner explains, the move was more a tribute to the nature of the material than an attempt to mimic industry heavy-hitters.
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