The absolutely gorgeous cover of An Actor’s Revenge, one of the Criterion Collection’s latest releases, doesn’t hold a candle to the scene it’s depicting.

Raoul Peck (I Am Not Your Negro) takes us back to the humble and complicated beginnings of Marx as a brash, young revolutionary.

Despite the name, McMafia comes with a distinct shortage of Scottish mobsters, and no interest in the competitive world of McDonalds franchising. Hossein Amini and James Watkins’ glossy crime thriller is all about location, location, location, and nice suits.

What do you do when you realize you’ve been stuck in a charade? When Caroline Rose felt the squeeze from her dusty rockabilly outfit, she ditched the lacey poetry and embraced her Cadillac red swagger.

Overconsumption of information has lead to infinite narratives that will never be tied together. A belief in obscurity eliminates anxiety, for relevance is no longer a priority. Calexicolurches toward this new definition of freedom in nothingness on their nineth studio album The Thread That Keeps Us.

The Lodgers leans heavily on its creepy atmosphere.

This sleek and effortlessly suave Pink Panther would get his own cartoon series running off and on for decades. Collected here are the first 20 episodes released between 1964-66.

It’s fair to say that Richard Russell has paid his dues. By this point, the record producer and co-founder of XL Recordings, has spent 20 years out of the studio whilst his label landed some of the biggest starts in music—including Adele, Radiohead, and The White Stripes.

U.S. Girls is the moniker of Meghan Remy. The American-Canadian musician has previously released a trio of increasingly-improving albums, showing off her unique propensity for making noise pop an art form that is in one moment sensual and intoxicating and, in the next, bitter and twisted.